
Theology in the Mode of Monk: An Aesthetics of Barth and Cone on Revelation and Freedom, Volume 2
'Round Midnight: Revelation and Experience in the Theologies of Barth and Cone
- 232 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Theology in the Mode of Monk: An Aesthetics of Barth and Cone on Revelation and Freedom, Volume 2
'Round Midnight: Revelation and Experience in the Theologies of Barth and Cone
About this book
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology "from above" and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology "from below" and confronted white racism--the most intractable issue in America's history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this second volume, Carr appeals to Monk's tune "'Round Midnight" as the analogical framework for articulating the meaning between Christ, the cantus firmus, and the sociopolitical histories of Karl Barth and James Cone. Monk's encouragement to "improvise on the melody" is heard as the melodic foundation for a new form of christological reflection.
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Information
Table of contents
- Title Page
- Naming the Mode of Transformation
- Prelude
- Acknowledgments
- Abbreviations
- ’ROUND MIDNIGHT: Revelation and Experience in the Theologies of Barth and Cone
- HEAD: Improvising on the Melody
- I. Karl Barth’s Midnight at Noon: Improvising on the Melody as the Revolt Against Liberal Theology
- II. James Cone’s Noon at Midnight: Improvising on the Melody as the Revolt Against White Theology
- III. “Ugly Beauty”: Charles Long as Pontifex: Bridging the Gap/ the (Im)possibility of Theological Thinking
- CODA: Toward a Theology of Playful Freedom
- Glossary
- Bibliography