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About this book
In Uncommon Sense, Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuseāan original member of the Frankfurt School and icon of the New Leftāwhile also acknowledging his philosophical limits. His account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with antiracist and anti-capitalist activism. Leonard emphasizes several key terms not previously analyzed within Marcuse's aesthetics, including defamiliarization, anti-art, and habit. In particular, he focuses on the centrality of defamiliarizationāa subversion of common sense that can be a means to the development of what Marcuse refers to as "radical sensibility."
Leonard brings forward Marcuse's claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. For Marcuse, defamiliarization is at the center of the aesthetic dimension, offering the direct means of stimulating its political potential. Leonard expands upon Marcuse's aesthetics by drawing on the work of Sylvia Wynter, going beyond Marcuse's predominantly European and patrilineal intellectual frameworkāwhile still retaining his aesthetic theory's fundamental characteristicsātoward a human dimension requiring decolonial, feminist, antiracist, and counterpoetic perspectives.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Contents
- Foreword by Nathifa Greene
- 1 Art in the One-Dimensional Society
- 2 Paradigms of Anti-Art
- 3 Defamiliarization
- 4 Instinctual Critique
- 5 The Human Dimension
- Coda: Misreading Marcuseās Aesthetics
- Acknowledgments
- Notes
- Bibliography
- Index