Theatre in Passing 2
eBook - ePub
Available until 23 Dec |Learn more

Theatre in Passing 2

Searching for New Amsterdam

  1. 216 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub
Available until 23 Dec |Learn more

Theatre in Passing 2

Searching for New Amsterdam

About this book

This book discusses spaces of performance from formal opera houses to parks and graffiti around the world and is a companion to Theatre in Passing: A Moscow Photo-Diary. Drawing once again on Michel de Certeau's notion of a "second poetic geography," this new volume examines prominent theatrical destinations —New York, London, and Paris—along with others that are often overlooked, including Canada, Mexico, and Turkey. In addition to indoor theaters, the book covers a variety of outdoor theatrical spaces, as well as street theater. Like its predecessor, Theatre in Passing 2 is richly illustrated with photographs by the author and provides fascinating insights on the intersection of performing arts, visual culture, and photography.

 

Frequently asked questions

Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription.
No, books cannot be downloaded as external files, such as PDFs, for use outside of Perlego. However, you can download books within the Perlego app for offline reading on mobile or tablet. Learn more here.
Perlego offers two plans: Essential and Complete
  • Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
  • Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Both plans are available with monthly, semester, or annual billing cycles.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes! You can use the Perlego app on both iOS or Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Theatre in Passing 2 by Elena Siemens in PDF and/or ePUB format, as well as other popular books in Art & Theatre. We have over one million books available in our catalogue for you to explore.

Information

Edition
1
Topic
Art
Subtopic
Theatre

Works Cited

Adriani, Gorz, ed. (2001), Keith Haring – Heaven and Hell, Ostfildern-Ruit: Hatje Cantz Publishers.
Alden, Todd (1999), The Essential René Magritte, New York: The Wonderland Press.
Anokhina, Natalia (2000), “Ne prosto liubov’, a Liubov’,” in Narodnaia Gazeta, http://theatre.Fomenko.narod.ru/notices_adventure_08.html, accessed 24 December 2000.
Barthes, Roland (1981), Camera Lucida (trans. Richard Howard), New York: Hill & Wang.
Barthes, Roland (1982), Empire of Signs (trans. Richard Howard), New York: Hill & Wang.
Barthes, Roland (1985), “The Greek Theater,” in The Responsibility of Forms: Critical Essays on Music, Art, and Representation (trans. Richard Howard), New York: Hill & Wang, pp. 63–88.
Barthes, Roland (1988), “Shock-Photos,” in The Eiffel Tower and Other Mythologies (trans. Richard Howard), New York: Farrar, Straus and Giroux, pp. 71–73.
Baudrillard, Jean (1988), America (trans. Chris Turner), London: Verso.
Benjamin, Walter (1986), “Moscow,” in Reflections: Essays, Aphorisms, Autobiographical Writings (trans. Edmund Jephcott), New York: Schocken Books, pp. 97–130.
Benjamin, Walter (2006), “A Short History of Photography,” in ed. Charles Merewether, The Archive: Documents of Contemporary Art, London: Whitechapel, pp. 58–64.
Bonham-Carter, Charlotte and Hodge, David (2013), Contemporary Art: The Essential Guide to 200 Groundbreaking Artists, third edition, London: Goodman.
Brodsky, Joseph (1987), “Flight from Byzantium,” in his Less Than One: Selected Essays, New York: Farrar, Straus and Giroux, pp. 393–446.
Campany, David (2007), Art and Photography, London: Phaidon Press.
Carlson, Marvin (1989), Places of Performance: The Semiotics of Theatre Architecture, Ithaca: Cornell University Press.
Carrol, Lewis (1992), “Alice’s Adventures in Wonderland,” in eds. John W. Griffith and Charles H. Frey, Classics of Children’s Literature, New York: Macmillan Publishing, pp. 427–482.
Chekhov, Anton (1977), The Cherry Orchard, in trans. and ed. Eugene K. Bristow, Anton Chekhov’s Plays, New York: W. W. Norton & Company, pp. 159–211.
Chekhov, Anton (1977), The Seagull, in trans. and ed. Eugene K. Bristow, Anton Chekhov’s Plays, New York: W. W. Norton & Company, pp. 1–52.
Chekhov, Anton (1977), Uncle Vanya, in trans. and ed. Eugene K. Bristow, Anton Chekhov’s Plays, New York: W. W. Norton & Company, pp. 53–96.
Cohen, Leonard (1993), “Take This Waltz,” in Stranger Music: Selected Poems and Songs, New York: Pantheon Books, p. 353.
Coupland, Douglas (2009), City of Glass: Douglas Coupland’s Vancouver, Revised Edition, Vancouver: Douglas & McIntyre.
De Certeau, Michel (1988), The Practice of Everyday Life (trans. Steven Rendall), Berkeley: University of California Press.
Defraeye, Piet and Devos, Mike (2012), unpublished translation of Bart Moeyaert’s “Klein.”
De Saint-Exupery, Antoine (1995), The Little Prince (trans. V. F. Cuffe), London: Penguin Books.
Eisenstein, Sergei (1969), The Film Sense, (trans. and ed. Jay Leyda), San Diego: A Harvest Book, pp. 3–68.
Eisenstein, Sergei (1988), “The Montage of Attractions,” in trans. and ed. Richard Taylor, The Film Factory: Russian and Soviet Cinema in Documents 1896–1939, London: Routledge, pp. 87–89.
Eisenstein, Sergei (1995), “The Twelve Apostles,” in ed. Richard Taylor, trans. William Powell, Beyond the Stars: The Memoirs of Sergei Eisenstein, London: BFI Publishing, pp. 153–180.
Eisenstein, Sergei (1995), “A Miracle in the Bolshoi Theatre,” in ed. Richard Taylor, trans. William Powell, Beyond the Stars: The Memoirs of Sergei Eisenstein, London: BFI Publishing, pp. 181–183.
Eisenstein, Sergei (1995), “My Encounter with Mexico,” in ed. Richard Taylor, trans. William Powell, Beyond the Stars: The Memoirs of Sergei Eisenstein, London: BFI Publishing, pp. 411–423.
Eisenstein, Sergei (1977), Film Form: Essays in Film Theory, (trans. and ed. Jay Leyda), San Diego: A Harvest Book.
Everett-Green, Robert (2013), “Sebastiao Salgado/ Edward Burtynsky,” The Globe and Mail, 4 May, pp. 9–11.
Finger, Brad and Weidemann, Christiane (2011), 50 Contemporary Artists You Should Know, Munich: Prestel.
Foreman, Richard (2007), “Excerpts Concerning Ice Theatre,” in eds. Hester Aardse and Astrid van Baalen, Findings on Ice, Amsterdam: Pars Foundation, pp. 130–135.
Golden, Reuel (2013), Masters of Photography, third edition, London: Goodman.
Ilf, Ilya and Petrov, Evgeny (2007), ed. Erika Wolf, trans. Annie O. Fisher, Ilf and Petrov’s American Road Trip, New York: Cabinet Books.
Ingle, Zachary (2011), “Moulin Rouge!” in ed. Marcelline Block, World Film Locations: Paris, Bristol: Intellect Books, p. 82.
Kabbery, Rachel and Brown, Amy K. (2001), The Mini Rough Guide to Paris, London: Rough Guides.
Khaldei, Evgeny (1999), “Interview,” in Von Moskau Nach Berlin: Jevgeni Khaldei, Berlin: Parthas, pp. 134–150.
Kiaer, Christina (2008), “Looking at Tatlin’s Stove,” in eds. Valerie A. Kivelson and Joan Neuberger, Picturing Russia: Explorations in Visual Culture, New Haven: Yale University Press, pp. 148–151.
Kuhl, Isabel (2008), Andy Warhol, Munich: Prestel.
Kushner, Tony (2012), “Splendor in the Park,” Vanity Fair, July, p. 101.
Lederman, Marsha (2012), “Vancouver Gets the Last Laugh,” The Globe and Mail, 24 July, p. 3.
Marker, Chris (2007), “La Jetée,” in ed. David Campany, The Cinematic, London: Whitechapel, pp. 175–176.
Marzona, Daniel (2006), Conceptual Art, ed. Uta Grosenick, Koln: Taschen.
Mersal, Iman (2007), “Memory of Thalg,” in eds. Hester Aardse and Astrid van Baalen, Findings on Ice, Amsterdam: Pars Foundation, pp. 146–150.
Metz, Christian (2003), “Photograph and Fetish,” in ed. Liz Wells, The Photography Reader, London: Routledge, pp. 138–145.
Nabokov, Vladimir (1989), Invitation to a Beheading (trans. Dmitri Nabokov in collaboration with the author), New York: Vintage Books.
Obraztsov, Sergei (1981), Moia professiia (My Profession), Moscow: Iskusstvo.
Parr, Martin (2010), Parr by Parr: Quentin Bajac Meets Martin Parr: Discussion with a Promiscuous Photographer, Amsterdam: Schilt Publishing.
Parshin, Sergei (1993), Mir Iskusstva (The World of Art), Moscow: Izobrazitelnoe Iskusstvo.
Patnaik, Deba P. (1999), “Barbara Morgan,” in Barbara Morgan: Aperture Masters of Photography Series, Aperture Foundation, pp. 5–10.
Phillips, Sandra S. (2013), Martin Parr, London: Phaidon Press Limited.
Porter, Darwin and Prince, Danforth (2004), Frommer’s Portable Berlin, Hoboken: Wiley Publishing.
Prigov, Dmitri (1997), “Raschety s zhizniu” (“Accounts with Life”), in ed. Victor Erofeev, Russkie Tsvety Zla, Moskva: Podkova.
Richardson, Dan (2001), The Rough Guide to Moscow, London: Rough Guides.
Rodchenko, Alexander (1991), “Against the Synthetic Portrait, For the Snapshot,” in ed. John E. Bowlt, Russian Art of the Avant-Garde: Theory and Criticism 1902-1934, New York: Thames and Hudson, pp. 250–254.
Rodchenko, Alexander (2005), “The Paths of Contemporary Photography,” in ed. Alexander N. Lavrentiev, Aleksandr Rodchenko: Experiments for the Future: Diaries, Essays, Letters, and Other Writings, New York: The Museum of Modern Art, pp. 207–212.
Rodchenko, Alexander (2007), “Ilya Ilf’s American Photographs,” in ed. Erika Wolf, trans. Annie O. Fisher, Ilf and Petrov’s American Road Trip, New York: Cabinet Books, pp. 149–152.
Sarusky, Jamie (1996), “Raul Corales,” in ed. Carlos Torres Cairo, Raul Corales: La Imagen Y La Historia, Florence: Aediciones Aurelia, pp. 4–5.
Sarusky, Jamie (1996), “Korda,” in ed. Carlos Torres Cairo, Alberto Korda: Diario de una Revolucion, Florence: Aediciones Aurelia, pp. 11–13.
Senechal, Marjorie (2007), “Reflections on Ice,” in eds. Hester Aardse and Astrid van Baalen, Findings on Ice, Amsterdam: Pars Foundation, pp. 114–117.
Slonim, Mark (1962), Russian Theater: From the Empire to the Soviets, New York: Collier Books.
Sontag, Susan (2003), Regarding the Pain of Others, New York: Farrar, Straus and Giroux. Sontag, Susan (1990), On ...

Table of contents

  1. Cover
  2. Title Page
  3. Copyright Page
  4. Contents
  5. Café Uncle Vanya Manhattan
  6. Street Signs Paris
  7. Eisenstein’s Lucky Finds
  8. Montage of Attractions Milan
  9. Surrogate Possessions London
  10. Digital Berlin
  11. Disposable Memories Helsinki
  12. Hide and Seek Brussels
  13. Antwerp Writing on Walls
  14. Vancouver in Plain Air
  15. Alberta Outdoor Challenge
  16. Central Park Performing Nature
  17. Aspendos Weight of History
  18. Mexico Tender and Brutal
  19. Jaffa Art of Seating
  20. Umbrellas of Versailles
  21. Paris Opera Zone of Business
  22. Corporate Arts Toronto
  23. Ice Theatre Ottawa
  24. Drama Queen Montreal
  25. LA Lights
  26. Las Vegas Mirage
  27. South Bank Beyond Shakespeare
  28. Overlooked Pigalle
  29. Vienna Noir
  30. Blue Door Havana
  31. Fringe Edmonton
  32. Counting to Ten with Nabokov
  33. Broadway Backstage
  34. Christmas in London
  35. Acknowledgements
  36. Works Cited