In The Next Room- “Bird House” Song (Act 1, Sc. 2)
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Acknowledgments
I would like to thank New Dramatists and some wonderful actors who helped me in the workshop phase of this play: Eisa Davis, Carla Harting, Reed Birney, Mary Catherine Garrison, Michael Esper, Amy Warren, Marin Ireland, and the whole cast of Eurydice . Thanks to Kathleen Chalfant for loaning us her living room when we read the very first draft of this play. Thank you to André Bishop and Bernie Gersten for believing the play could survive on Broadway. Thanks to all the designers: Annie, David, Russell, Bray and Jonanthan for being genius collaborators. Thank you to Paula Vogel, Anne Cattaneo, Madeleine Oldham and Denise Bilbao for reading early drafts; and to Tina Howe, Kathleen Tolan, Andy Bragen, Crystal Finn, Kate Pines, Sarah Rasmussen, Roy Harris, Denise Yaney, Vanessa Poggioli and David Adjmi for helping me get through previews. And many many thanks to Les Waters, without whom this play would never have been written, and to the original cast in Berkeley—Paul (also for your generosity revisiting the play), Hannah, Joaquín, Maria, Stacy, John and Melle—for so bravely finding the play’s voice. And to the cast at the Lyceum—Laura, Michael, Maria, Chandler, Tom, Quincy, Wendy—some of my favorite moments of theater were simply watching you all rehearse.
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SARAH RUHL’s plays include In the Next Room or the vibrator play (Glickman Prize, finalist for the 2010 Pulitzer Prize, nominee for the Tony Award for Best Play), The Clean House (The Susan Smith Blackburn Award, 2004; finalist for the Pulitzer Prize, 2005), Dead Man’s Cell Phone (Helen Hayes Award for Best New Play), Demeter in the City (nominated for nine NAACP awards), Eurydice, Melancholy Play, Orlando, Late: a cowboy song and Passion Play (Kennedy Center’s The Fourth Freedom Forum Playwriting Award). Her plays have premiered on Broadway at the Lyceum Theater (produced by Lincoln Center Theater); Off-Broadway at Lincoln Center Theater, Playwrights Horizons, Second Stage Theatre; and regionally at Berkeley Repertory Theatre, Yale Repertory Theatre, the Goodman Theatre, Cornerstone Theater Company, Arena Stage, Woolly Mammoth Theatre, the Piven Theatre; as well as being produced at many other theaters across the country. Her plays have also been performed in England, Poland, Germany, Israel, New Zealand and Australia, and have been translated into Spanish, Polish, Russian, Korean and Arabic. Sarah received her MFA from Brown University, where she studied with Paula Vogel, and is originally from Chicago. In 2003, she was the recipient of a Helen Merrill Emerging Playwrights Award, a Whiting Writers’ Award, and a PEN/Laura Pels Award; in 2006 she was the recipient of a MacArthur Fellowship. Her work is published by TCG and Samuel French, and she is a member of New Dramatists and 13P. She lives in New York City with her family.
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In the Next Room or the vibrator play is copyright © 2010 by Sarah Ruhl
In the Next Room or the vibrator play is published by Theatre Communications Group, Inc., 520 Eighth Avenue, 24th Floor, New York, NY 10018-4156
All Rights Reserved. Except for brief passages quoted in newspaper, magazine, radio or television reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publisher.
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LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Ruhl, Sarah.
eISBN : 978-1-559-36661-8
1. Married women—Sexual behavior—Drama. 2. Desire—Drama. 3. Sex—Drama.
I. Title. II. Title: In the next room. III. Title: Vibrator play.
PS3618.U48I6 2010
812’.6—dc22 2010038900
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