
- English
- PDF
- Available on iOS & Android
About this book
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- CONTENTS
- PREFACE
- CHAPTER ONE: The Spectator as Critic as Artist
- CHAPTER TWO: Movies to the Rescue: American Modernism and the Middlebrow Challenge
- CHAPTER THREE: Life on the Edge: Manny Färber and Cult Criticism
- CHAPTER FOUR: Hallucinating Hollywood: Parker Tyler and Camp Spectatorship
- CHAPTER FIVE: FromTermites to Auteurs: Cultism Goes Mainstream
- CHAPTER SIX: Heavy Culture and Underground Camp
- CHAPTER SEVEN: Retreat into Theory
- CONCLUSION: Love, Death, and the Limits of Artistic Criticism
- NOTES
- REFERENCES
- INDEX