
All That Is Native and Fine
The Politics of Culture in an American Region
- 384 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
In the American imagination, “Appalachia” designates more than a geographical region. It evokes fiddle tunes, patchwork quilts, split-rail fences, and all the other artifacts that decorate a cherished romantic region in the American mind. In this classic work, David Whisnant challenges this view of Appalachia (and consequently a broader imaginative tendency) by exploring connections between the comforting simplicity of cultural myth and the troublesome complexities of cultural history.
Looking at the work of ballad hunters and collectors, folk and settlement school founders, folk festival promoters, and other culture workers, Whisnant examines a process of intentional and systematic cultural intervention that had — and still has — far-reaching consequences. He opens the way into a more sophisticated understanding of the politics of culture in Appalachia and other regions. In a new foreword for this twenty-fifth anniversary edition, Whisnant reflects on how he came to write this book, how readers responded to it, and how some of its central concerns have animated his later work.
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Information
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Contents
- List of Illustrations
- Foreword The Long Vector: A Book’s Life, and Mine
- Preface
- Introduction
- Chapter 1: ‘Hit sounds reasonable’: Culture and Social Change at Hindman Settlement School
- Chapter 2: All that is native and fine: The Cultural Work of Olive Dame Campbell, 1908–1948
- Chapter 3: ‘This Folk Work’ and the ‘Holy Folk’: The White Top Folk Festival, 1931–1939
- Cannibals and Christians: An Afterword
- Notes
- Index