1 | âBlack is not a colourâ, A Treatise on Painting, trans. J. F. Rigaud (London, 1802), chap. 235, p. 132. Leonardo also said that black, âlike a broken vessel, is not able to contain anythingâ (chap. 222). But though he noted that âblack and white are not reckoned among coloursâ, and called black âthe representative of darknessâ, he stated that he would ânot omit mentioning them, because there is nothing in painting more useful and necessary; since painting is but an effect produced by lights and shadowsâ (chap. 226). |
2 | Matisse had much to say on black. His assertion that âle noir câest une force: je mets mon lest en noir pour simplifier la constructionâ is quoted in the first number of DerriĂšre le miroir, December 1946. For further remarks by Matisse on black (for instance at the opening of the exhibition âBlack is a Colourâ at the Galerie Maeght, Paris, in December 1946. see Jack D. Flam, Matisse on Art (Berkeley, CA, 1995), p. 165ff; also Annie Mollard-Desfour, Le Noir (Paris, 2005), p. 20, n. 7 (which includes âPissarro me disait . . . âManet . . . fait de la lumiĂšre avec du noirââ). For the Renoir, see A. Vollard, Renoir: An Intimate Record, trans. H. L. Van Doren and R. T. Weaver [1925] (London, 1990), chap. 12, p. 52. On Tintoretto see for instance Eric Potter, ed., Painters on Painting (New York, 1971), pp. 53â4. On Aristotle and Goethe, see pp. 45, 227 below. On Beethoven and the black chord, see Michael C. Tusa, âBeethovenâs âC-Minor Moodâ: Some Thoughts on the Structural Implications of Key Choiceâ, in Beethoven Forum, 2, ed. Christoph Reynolds (Lincoln, NE, 1993), p. 2, n. 3. |
3 | Michel Pastoureau, Black: The History of a Color (Princeton, NJ, 2009), p. 194; Ludwig Wittgenstein, Remarks on Colour, ed. G.E.M. Anscombe (Berkeley, CA, 1978), p. 37e, section 156, p. 46e, section 215. |
4 | Thomas Young, A Course of Lectures on Natural Philosophy and the Mechanical Arts (London, 1807), p. 345. |
5 | Hermann von Helmholtz, Helmholtzâs Treatise on Physiological Optics, trans. J.P.C. Southall (Menasha, WI, 1924), vol. II, p. 131. The first sentence is sometimes quoted without the article, âBlack is real sensationâ, but the German reads âDas Schwarz ist eine wirkliche Empfindungâ. |
6 | Hodgkin is quoted in W. D. Wright, âThe Nature of Blackness in Art and Visual Perceptionâ, Leonardo, XIV (1981), pp. 236â7. I am grateful to Dr David Tolhurst for an explanation of the biochemistry of sight. |
7 | âI conclude, then, that the organ of colour and its impressions were but partially developed among the Greeks of the heroic ageâ: William Ewart Gladstone, Studies in Homer and the Homeric Age, vol. III (Oxford, 1858), p. 488; on âflauusâ and other elusive classical colour-words see Mark Bradley, Colour and Meaning in Ancient Rome (Cambridge, 2009), pp. 1â12; on colour and historical etymology see R. W. Casson, âColour Shift: Evolution of English Color Terms from Brightness to Hueâ, in Colour Categories in Thought and Language, ed. C. L. Hardin and L. Maffi (Cambridge, 1997), pp. 224â39. |
8 | Brent Berlin and Paul Kay, Basic Colour Terms: Their Universality and Evolution (Berkeley, CA, 1969); for an extended appraisal of many aspects of Basic Colour Terms see Hardin and Maffi, eds, Colour Categories in Thought and Language. |
9 | See Rudolf Steiner in Colour (Forest Row, East Sussex, 1992), p. 25. On the cultural associations of black see Victor Turner, The Forest of Symbols: Aspects of Ndembu Ritual (Ithaca, NY, 1967), especially chap. 3, âColor Classification in Ndembu Ritualâ, pp. 59ff; C. LĂ©vi-Strauss, The Raw and the Cooked, trans. J. Weightman and D. Weightman (London, 1970); Umberto Eco, âHow Culture Conditions the Colours We Seeâ, in On Signs, ed. M. Blonsky (Baltimore, MD, 1985), pp. 157â75. |
10 | See Jeremy Coote, ââMarvels of Everyday Visionâ: The Anthropology of Aesthetics and the Cattle Keeping Nilotesâ, in Anthropology and Aesthetics, ed. J. Coote and A. Shelton (Oxford, 1992), pp. 245â73; John Ryle is quoted on p. 251. |
1 | The Elder Eddas of Saemund Sigfusson and the Younger Eddas of Snorre Sturleson, trans. I. A. Blackwell (Copenhagen, 1906), p. 260. |
2 | Andrew Marvell, âThe First Anniversary of the Government under O.C.â (1654), ll. 341â2. |
3 | To go from petals to stems, it would have been in plantsâ interest if their stems and leaves could have been black, since they would then absorb â and use â more light in their photosynthetic processes. And plantsâ leaves could have been black since, in the waterborne stage of their evolution, they made use of various photosynthetic bacteria and the different pigments that derived from them (known as bacteriochlorophylls and carotenoids). As matters turned out, however, the plant lineage which made it onto dry land was committed to chlorophyll, which had evolved with a red-blue absorption to avoid competition with other bacteriochlorophylls. And once established on land, it would have been too demanding evolutionarily to start again in another colour. I am indebted to Dr Julian Hibbard for these points about plants and their pigments. |
4 | On all-black birds, black male birds and piebald creatures, see Charles Darwin, The Descent of Man, and Selection in Relation to Sex [1871] (Princeton, NJ, 1981), Part II, chap. XVI, pp. 226â7. On the Gouldian finch see Jennifer J. Templeton, D. James Mountjoy, Sarah R. Pryke and Simon C. Griffith, âIn the Eye of the Beholder: Visual Mate Choice Lateralization in a Polymorphic Songbirdâ, Biology Letters (3 October 2012), available at http://rsbl.royalsocietypublishing.org. On the inherited avoidance of warning colours, see Leena Lindström, Rauno V. Alatalo and Johanna Mappes, âReaction of Hand-reared and Wild-caught Predators towards Warningly Colored, Gregarious, and Conspicuous Preyâ, Behavioural Ecology, X/3 (1999), pp. 317â22. |
5 | âHâ (possibly Dr Harley), âMr Ruskinâs Illness Described by Himselfâ, British Medical Journal (27 January 1900), p. 225. |
6 | See G. Bass, âA Bronze Age Shipwreck at Ulu Burun (Kas)â, American Journal of Archaeology, XC/3 (July 1986), pp. 269â96. |
7 | Pliny the Elder, Natural History, Book XVI, 40. |
8 | Herodotus, Histories, I, 98â9. |
9 | Ibid., 1, 179. |
10 | The Book of the Dead, trans. E. A. Wallis Budge, chap. 175, âThe Chapter of Not Dying a Second Timeâ. |
11 | Plutarch, Moralia, V, 26, âOn Isis and Osirisâ, trans. F. C. Babbitt (London, 1936). |
12 | On Hindu beliefs see Wendy Doniger, The Hindus: An Alternative History (New York, 2009). I have also drawn especially on H. Krishna Sastri, South Indian Images of Gods and Goddesses (Madras, 1916), and on Alain DaniĂ©lou, Mythes et dieux de lâInde: Le PolythĂ©isme hindou (Paris, 1994) â see, for instance, âLa Couleur sombreâ, pp. 242ff; also on conversations with Eric Auzoux, Anita Desai and Simeran Gell. |
13 | In another myt... |