CHAPTER 1
What It Is, Why It Matters,
Why Itâs the Future
Jerome Robbins and Twyla Tharp
Iâm a choreographer who makes dances that are performed on stages around the world. Itâs just as accurate to say Iâm a career collaborator. That is, I identify problems, organize them, and solve them by working with others. Many of the stories Iâll be telling involve the world of dance, but you donât have to know anything about dance to get the point. Work is work.
I define collaboration as people working togetherâsometimes by choice, sometimes not. Sometimes we collaborate to jump-start creativity; other times the focus is simply on getting things done. In each case, people in a good collaboration accomplish more than the groupâs most talented members could achieve on their own.
Hereâs a classic example of someone who identified a problem and worked with others to solve it. The year was 1962. The problem was a new play, A Funny Thing Happened on the Way to the Forum. The collaborator was Jerome Robbins, the choreographer and director who later became my good friend and coworker.
As A Funny Thing was completing its pre-Broadway tour, no one was laughing. Not Stephen Sondheim, who wrote the music and lyrics. Not veteran director George Abbott. Certainly not producer Hal Prince and the playâs backers.
And, most important of all, not the audience.
At the Washington previews, just three weeks before the New York opening, audiences were fleeing the theater. By the time the curtain came down, the theater was often only half full.
And yet, on paper, A Funny Thing should have been a huge hitâthe creative team couldnât have been more distinguished.
What was wrong? No one knew.
What to do? That they knew.
When a show has script trouble, itâs common for the producers to bring in a âplay doctor.â In business, heâd be called a consultant. Iâd call him a collaboratorâsomeone who works with others to solve a problem.
The doctor they called in was Jerome Robbins, who came to Washington from Los Angeles, where he had just collected an Academy Award for West Side Story. He watched a performanceâand by intermission, not only had he analyzed the problem, he had a solution.
A Funny Thing, Robbins said, was a farce inspired by the comedies of Plautus, a Roman playwright. But Plautus lived from 254 to 184 ⌠before Christ. How many theatergoers knew who he was? Or what kind of plays he wrote? And, most of all, who knew what kind of play A Funny Thing Happened on the Way to the Forum was supposed to be?
Jerome Robbins offered simple, commonsense advice: Itâs a comedy. Tell them that.
Sondheim quickly wrote an opening number called âComedy TonightâââSomething convulsive / Something repulsive / Something for everyone: a comedy tonight!ââand once ticket buyers knew what they were supposed to do, they laughed. The New York reviews were cheers for an âuninhibited romp,â and A Funny Thing played 964 performances on Broadway before going off to Hollywood and becoming a hit movie.
Clearly, itâs a good idea to tell people what to expect.
Hereâs what you can expect from this book: a field guide to a lot of the issues that surface when you are working in a collaborative environment. Iâll explain why collaboration is important to meâand, Iâll bet, to you. Iâll show you how to recognize good candidates to work with and how you build a successful collaborationâand Iâll share what it feels like to be trapped in a dysfunctional one. And, finally, although this isnât a book that promises to help you find love or deepen your romantic life, I suspect that some of what you may learn from these pages can help you in your personal relationships. In each case, because collaboration isnât an airy concept but a practice thatâs found in our daily reality, Iâll be light on ideas and heavy on stories.
Collaboration is how most of our ancestors used to work and live, before machines came along and fragmented society. |
Time to plant the fields? Everybody pitched in and got it done. Harvesttime? The community raced to get the crops in before the rains came. Where were those crops stored? In barns built by teams of neighbors.
In the cities, the same spirit applied. Anonymous craftsmen spent their lives building cathedrals that wouldnât be completed for generations. Michelangelo is celebrated for the Sistine Chapel; in fact, he supervised a dozen unacknowledged assistants. Even one of the greatest composers, Johann Sebastian Bach, chose to deflect credit for his compositions, writing at the bottom of each of his pieces âSDG,â for Soli Deo Gloriaâto God alone the glory.
By the twentieth century, only a few self-isolated sects practiced the collaborative tradition. Blame it on wars that killed millions, the atomic bomb, Freud, or any combination of factors you chooseâthereâs no shortage of reasons. The result is that most of us grew up in a culture that applauded only individual achievement. We are, each of us, generals in an ego-driven âarmy of one,â each the center of an absurd cosmos, taking such happiness as we can find. Collaboration? Why bother? You only live once; grab whatever you can.
But now more and more of us are realizing that the brilliant CEO, the politician who keeps his own counsel, and the lone hero are yesterdayâs role models. The media may still love them, but our new heroes are men and women who know how to gather allies, build teams, and work together toward shared goals. Name an enterprise, and youâll find levels of collaboration that were unthinkable just a few years ago. The real success stories of our time are about joint efforts: sports teams, political campaigns, businesses, causes.
Collaboration is the buzzword of the new millennium.
Like many of you, I went to school when victory meant raising your hand first and shouting out the answerâschool was a war zone that rewarded only the brightest and most aggressive. But now learning is collaborative; children work together in groups to solve problems. They solve them faster this way, and without winners or losers. And in doing so, they gain valuable life skills.
Consider the Internet, which has dramatically increased our ability to communicate with friends and associatesâand millions of strangers around the world. Now we can form networks and create collaborations without start-up money, an infrastructure, or even an office. Result? Our basic urge to work in groups can be realized more easily now than at any time in modern history.
Thanks to the Internet, a battered economy, and a profound shift in personal values, a notion that was once heresyâthat the wisdom of a smart group is greater than the brainpower of its smartest memberâis increasingly accepted in every discipline and every profession and at every age and stage of life.
On the Internet, someone posts an article, then others comment. With the addition of new facts and points of view, readers benefitâand by contributing to the conversation, they become part of a smart community.
In business, âcrowdsourcingââassigning a task that used to be done by a single worker to whole communitiesâhas become a powerful tool in the product-development process. |
Dell Computers, for example, created an outreach called IdeaStorm to get ideas and feedback from customers. So far, the company has used almost three hundred of their suggestionsâkeyboards that light up in the dark, more color choices, longer battery lifeâin its new products.
Starbucks has launched a Web site called My Starbucks Idea to gather consumer brainstorms, filter them through management, and then have the coffee companyâs customers vote on the best ones. The site has collected seventy thousand suggestions.
In politics, the 2008 presidential campaign of Barack Obama proved that the most powerful word in his slogan, âYes we can,â was we. |
Until 2008, most politicians used the Internet only for fund-raising. Barack Obama, a former community organizer, saw that âsocial networkingâ could mean more than the exchange of trivial blasts of personal information by virtual âfriends.â And he used the Web to build a movement that transformed interest into participation.
Obamaâs site had double the traffic of opponent John McCainâs. Four times as many visitors to YouTube watched Obamaâs videos. He had five times as many Facebook âfriends.â Three million people signed up for his text messagesâand he sent them fifteen to twenty a month. And in the last four days of the campaign, Obama campaign volunteers made three million personal phone calls.
Experts say that no political campaign, no matter how well funded, could generate that much content on its own. Obamaâs core Internet team consisted of just eleven people. The rest of the work was done by highly committed supporters who took the communication devices they used every day and repurposed them to rally their personal networks for a common cause.
In sports it has always been about the team. |
Michael Jordan started winning scoring titles in 1986. But the Chicago Bulls were not winning championships. Bulls Coach Phil Jackson knew why: âScoring champions donât win championships.â The team brought in some stronger players. And although Michael Jordan was already recognized as the greatest player in the history of basketball, he started moving the ball around. In 1991, the Bulls won their first championship in franchise history. That year, Jordan was voted the most valuable player in the finals in part because he scored thirty points in the deciding gameâbut also because, in the same game, he passed the ball to teammates for ten assists.
You are probably not a professional basketball player or a politician or the proprietor of an Internet news site. You probably donât run a high-tech company or make educational policy for a school district. But in the last few years, youâve certainly been exposed to the notion that collaboration is all-pervasive and youâre wondering how it applies to youâespecially if you have not picked the people you work with and report to a remote, unhelpful boss.
So your first question may be as simple as this: Iâm trapped in a job that has me assigned to a team made up of impossible people. I need the salary and the benefits. How can I get along with these colleagues so I deliver good work and advance?
The answer is that itâs no different for you than it is for the players on a championship sports team or a crew of genius scientists or, for that matter, dancers in leotards rehearsing a new ballet.
People are people. And people are problems. Butâand this is a very big butâpeople who are practiced in collaboration will do better than those who insist on their individuality. |
Consider, for example, the âheroâ of that miraculous emergency landing of a passenger jet in New Yorkâs Hudson River.
After geese damaged the engines of his plane shortly after takeoff, US Airwaysâ Captain Chesley Sullenberger managed to guide the jet with its 155 passengers and crew to a safe landing on the water.
A few months later, at an aviation safety hearing to learn why no one died, the captain was asked, âThis event turned out differently than a lot of the situations the board has looked at. What made the critical difference in this event? How did this event turn out so well?â
Captain Sullenbergerâs response: âI donât think it was one thing; it was many things. We had a highly experienced, well-trained crew. The first officer, Jeffrey Skiles, and I worked together well as a team and we solved each problem as it presented itself to us.â
Look at the key words in that response: experience ⌠crew ⌠team. Sullenberger couldnât be clearer. He might be a media darling and a national hero, but he viewed this successful landing as the collaborative triumph of a practiced group.
But note: You canât force people to collaborate. You can make them share offices and serve on committees together, but if their hearts arenât in it, the process is an empty shell. Personal, emotional commitment is crucial.
Collaborators arenât born, theyâre made. Or, to be more precise, built, a day at a time, through practice, through attention, through discipline, through passion and commitmentâand, most of all, through habit. |
A book I wrote a few years ago, The Creative Habit, began with an account of what was then my daily ritual. Up at 5:50. A cab ride to a gym across town. And then two hours of stretching and weight training. After that, I was ready to be a choreographer.
This account of my daily routine shocked some readers. People want to believe that the creative habit has something to do with creatingâmaking dance, writing music or fiction, painting a great picture, forming a successful business. Instead, I was pointing to everything that came before the dance, before the writing, before the painting: preparedness, getting ready for the job of creatingâbecause creating isnât some exalted process, itâs a grimy job. Manual labor. Heavy lifting. An...