
eBook - ePub
Do Not Sell At Any Price
The Wild, Obsessive Hunt for the World's Rarest 78rpm Records
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Do Not Sell At Any Price
The Wild, Obsessive Hunt for the World's Rarest 78rpm Records
About this book
“A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art.
Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all.
Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today.
From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).
Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all.
Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today.
From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).
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Yes, you can access Do Not Sell At Any Price by Amanda Petrusich in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
Information
Subtopic
MusicIndex
African Dance Band of the Cold Storage Commission of Southern Rhodesia, 221
African recordings, 176ā77, 221ā22
āAimer et Perdreā (Joe and Cleoma Falcon), 33
Aimer et Perdre (Tompkins Square), 35
Albanian folk tradition, 36, 43, 190ā92, 196
āAlbanian Nightingaleā (Zoumbas), 197
āAlcohol and Jake Bluesā (Johnson), 79
Allen, Ray, 145
Amato, Pasquale, 29
American Folklife Center (AFC), Library of Congress, 163, 164
American Primitive, Vol. I and Vol. II (Revenant Records), 36
Anal Staircase, The (Coil), 15
Andersen, Lale, 186
Anderson, Gene, 47, 48ā49
Anthology Film Archives, New York, 148
Anthology of American Folk Music, The (Smithsonian Folkways), 136ā43
categories in, 138, 165
cultural impact of, 136ā37
folk revival and, 142ā43, 182
Guthrie on, 134
range of music in, 38, 133ā34, 139ā40, 213
responses to, 141ā42, 144, 152
Smithās compilation of, 133ā34, 135, 137ā41, 142, 145ā46, 147, 150ā51, 153
success of, 145, 152ā53, 156
Antique Phonograph Music Program (radio program), 233ā34, 235
Archive of Folk Culture, Library of Congress, 163
Ardoin, AmƩdƩ, 41, 191
Armstrong, Louis, 115, 123, 222
Asch, Moe, 134ā35, 145ā46
Ashford, R. T., 69, 74
Aspergerās syndrome, 225ā26, 228, 229
autism, 39, 225, 226, 228, 229
Autry, Gene, 161ā62, 166ā68, 169, 201
Avery, Tex, 238
Bailey, Kid, 57ā61, 63
āBanty Rooster Bluesā (Patton), 74
Barbecue Bob (Robert Hicks), 128, 180
Baron-Cohen, Simon, 228ā29
Barrett, Edward Jenner, 207
Barry, John M., ...
Table of contents
- Cover
- Dedication
- Epigraph
- Prologue: An Air of Impoverishment and Depleted Humanity
- One: Thatās Mine Now, I Got That Before You Could Get It
- Two: An Obnoxious, Bitter, Hateful Old Creep
- Three: This Is One of the Things I Would Say Is Inexplicable
- Four: A Form of Protection Against the Loss of Self
- Five: Suck All the Blossoms and He Leave You an Empty Square
- Six: We Are Not Drowning
- Seven: I Like to Get into the Field and Hunt Them Down in the Wild, So to Speak
- Eight: All Iām Saying Is Thereās No Way You Can Game This Kind of System
- Nine: Now Thereās a Man on His Way Down
- Ten: I Saw America Changed Through Music
- Eleven: There Will Be No Service
- Twelve: But Thereās Another Part of Me That Finds It Kind of Disgusting
- Thirteen: Luring Me Out Here for Nothing but a Damn Bunch of LP Records!
- Fourteen: An Obsessive Need for Things to Stay the Same and an Immersion in Arcane Knowledge
- Fifteen: Who Wants to Hear a Story About a Boy Learning Guitar from a Book?
- Photographs
- Acknowledgments
- About Amanda Petrusich
- Selected Discography
- Index
- Copyright