
- 301 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Rethinking the Sylph gathers essays by a premier group of international scholars to illustrate the importance of the romantic ballet within the broad context of western theatrical dancing. The wide variety of perspectives â from social history to feminism, from psychoanalysis to musicology â serves to illuminate the modernity of the Romantic ballet in terms of vocabulary, representation of gender, and iconography. The collection highlights previously unexplored aspects of the Romantic ballet, including its internationalism; its reflection of modern ideas of nationalism through the use and creation of national dance forms; its construction of an exotic-erotic hierarchy, and proto-orientalist "other"; its transformation of social relations from clan to class; and the repercussions of its feminization as an art form. This generously illustrated book offers a wealth of rare archival material, including prints, costume designs, music, and period reviews, some translated into English for the first time.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Contents
- Illustrations
- Acknowledgments
- Introduction
- National Dance in the Romantic Ballet
- Feminism or Fetishism: La RĂ©volte Des Femmes and Womenâs Liberation in France in the 1830s
- Marriage and the Inhuman: La Sylphideâs Narratives of Domesticity and Community
- Redeeming Giselle: Making a Case for the Ballet We Love to Hate
- Women of Faint Heart and Steel Toes
- Blasis, the Italian Ballo, and the Male Sylph
- Ballet Dancers at Warsawâs Wielki Theater
- The Arrival of the Great Wonder of Ballet, or Ballet in Rome from 1845 to 1855
- Salvatore Taglioni, King of Naples
- Jules Janin: Romantic Critic
- Appendixes
- Bibliography
- Contributors
- Index