III. Prayer Meeting
Way after night has put on his robe,
we put the washpot to the door
to catch our voices.
In the middle of all the shouting
and praising is the prettiest black boy
with big cow eyes
and my heart
sets to beating like a drum.
Folks laid out on the ground,
slain in the spirit
and all I see is this boy:
he has the straightest string of pearls
for teeth.
The Orange
He says donât worry about where he got it from
His hand at my bellyâmy babyâs whole world in his palm
Eat this orange for the baby
go on, take it for my baby
His pine needle face to my face,
orange sections burst in our mouth
His words burn a hole in my dress:
Weâre stealinâ sweet water, girl,
and it is sooo sweet
He says more things I wonât tell youâ
until something warm, like honey,
fills my cup
Overseer Story (Told with a Smile)
Laugh while the years
race
down your face.
âMaya Angelou, âWhy Are They Happy People?â
He dug a hole in the ground
in the shape of my big belly,
laid me across it,
then commenced
to laying on the lashes.
The whole time he beat me,
felt like my heart was gonâ bust,
and what with the little one
kickinâ my insides,
while he beat my outsides,
I thought I was gonâ die.
I swear, I thought I was gonâ die!
Delia
The morning I was born my mama carried me to an oak tree to let it nurse me while she went back to the fields.
Elegy for a Stillborn
To the One Who Carries Him Away
All of my children have died or wandered away.
âMolly Ammonds, from a 1937 slave narrative interview
Here are the milk and songs from my breast.
Here is his cover sewed from calico scrap
and dyed with peachtree.
Take this for nights when he is cold.
Here is the sheet I stole soap for
and washed in secret,
to catch him when he came.
It was to give him a clean start.
Take the old dresser drawer I meant for a cradle.
You will need pins from the washwoman
and this wrap from my hipsâ
You can carry him against your back.
Take the knife from under my bed
that they used to cut the pain.
I did not make a basket of medicines
I did not want to mark him sick,
But here is pine-top tea, and elderbrush.
Here are mullen leaves for when he cuts teeth.
Here is his corn husk doll.
And take the place I prepared for him near the fire:
the quilt folded in half, then again
so he would rest against something soft.
Take the room full of times
my hand crossed over my belly,
a prayer on my lips.
Southern Pastoral
little black children
march baskets of big-house
linens to the washwomanâs
shadow in the field
a blonde baby whimpers
from the green grass floor
the washwoman sways over the pot of lye,
her movements careful to not disturb
the fresh wounds in her back
she slowly works in soiled
linens with a soaked wooden stick
the silver-faced surface
winks at her in the sunlight
a wind starts up and lifts tufts
of the babyâs hair
the babyâs cotton
cheeks flush red
he begins to cry
and crawl towards the washwoman, who leans
the wet stick against the potâs belly
the baby reaches her hem, salt
tears on his face, salt
on her back
she lifts him into the air
for seconds he is framed by the blue sky
the rush of her smell clouds through his nostrils
then quietly, as if told to
hush, the hungry lye opens
and closes its mouth
The Milk Still Comes In
milk breasts
mushroomed plump
like hoecakes baked in ashes
they always hold milk,
like the cloud-water when a dandelion stem
is broken.
milk veins dressed in breasts.
I press the teat for milkâ
milk meant for a little, lost, baby.
theyâd said when it came Iâd feel a tingle,
but it was as sure as a citrus press,
inside I felt a hand clutch a handle
to pull it in.
my breastsâlump-full
with milk that never sours,
now given to little unknown mouths
that draw relentlessly, spoiling
what was meant to be hers.
Delia
All I can say is: my mind is gone off somewhere else. I mix hot lard to keep the ghosts away but they still comeâthey come carrying my breasts. One breast in each hand, like justice.
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