Music and Politics
About this book
This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities.
The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.
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Information
Table of contents
- Cover
- Dedication
- Title page
- Copyright page
- Acknowledgements
- Introduction: making connections
- 1 Sound barriers: censoring music
- 2 Falling on deaf ears? Music policy
- 3 Striking a chord: from political communication to political representation
- 4 All together now: music as political participation
- 5 Fight the power: music as mobilization
- 6 āInvisible republicsā: making music, making history
- 7 Sounding good: the politics of taste
- 8 Politics as music: the sound of ideas and ideology
- 9 One more time with feeling: music as political experience
- Conclusion: repeat and fade
- References
- Index
