
- 304 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Screenwriter in British Cinema
About this book
Though screenwriting is an essential part of the film production process, in Britain it is yet to be fully recognised as a form in itself. In this original study, Jill Nelmes brings the art of screenwriting into sharp focus, foregrounding the role of the screenwriter in British cinema from the 1930s to the present day. Drawing on otherwise unseen drafts of screenplays, correspondence and related material held in the Special Collections of the BFI National Archive, Nelmes's close textual analysis of the screenplay in its many forms illuminates both the writing and the production process. With case studies of a diverse range of key writers – from individuals such as Muriel Box, Robert Bolt and Paul Laverty, to teams such as the Carry On writers – Nelmes exposes the depth and breadth of this thriving field.
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Information
Table of contents
- Cover
- Title Page
- Contents
- Acknowledgments
- Dedication
- Introduction
- 01: Jeffrey Dellsatire, Socialism And Suspense
- 02: Emeric Pressburgerartist, Writer, Collaborator
- 03: Ealingthe Studio With The Team Spirit
- 04: Muriel Boxa Lifetime Of Collaborating With Sydney
- 05: Janet Greencollaboration, Control And The Social Issue Film
- 06: Mark Granthamwriting A Screenplay In Two Weeks!
- 07: Norman Hudis And Talbot Rothwellcarry On From Institution To Innuendo
- 08: Robert Boltcommunicator And Craftsman
- 09: David Puttnamputting The Right People Together
- 10: John Mcgrathin The Pursuit Of Truth And Honesty: From Z Cars To The Reckoning
- 11: Paul Lavertyclass, Politics And Collaborating With Ken Loach
- Conclusion
- Bibliography
- Index
- List of Illustrations
- eCopyright