
Ulysses in Black
Ralph Ellison, Classicism, and African American Literature
- 272 pages
- English
- PDF
- Available on iOS & Android
About this book
In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca.
Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classicsācontrary to expectations throughout American cultureāhas often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America's broader cultural integrity, one that is inclusive and historic.
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Information
Table of contents
- Contents
- Prologue: Preparing for the Journey of Ulysses in Black
- 1. Classica Africana: The Nascent Study of Black Classicism
- Journey 1: From Eurocentrism to Black Classicism
- Journey 2: Ralph Ellisonās Black American Ulysses
- Notes
- References Cited
- Index