
THE INVENTION OF MURDER EB
How the Victorians Revelled in Death and Detection and Created Modern Crime
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THE INVENTION OF MURDER EB
How the Victorians Revelled in Death and Detection and Created Modern Crime
About this book
"We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it." Punch.
Murder in nineteenth-century Britain was ubiquitous â not necessarily in quantity but in quality. This was the era of penny-bloods, early crime fiction and melodramas for the masses. This was a time when murder and entertainment were firmly entwined.
In this meticulously researched and compelling book, Judith Flanders, author of Consuming Passions, takes us back in time to explore some of the most gripping, gruesome and mind-boggling murders of the nineteenth-century. Covering the crimes (and myths) of Sweeney Todd and Jack the Ripper, as well as the lesser known but equally shocking acts of Burke and Hare, and Thurtell and Hunt, Flanders looks at how murder was regarded by the wider British population â and how it became a form of popular entertainment.
Filled to the brim with rich source material â ranging from studies of plays, novels and contemporary newspaper articles, A Social History of Murder brings to life a neglected dimension of British social history in a completely new and exciting way.
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NOTES
1: Imagining Murder
one a year Crime statistics for the first half of the nineteenth century are notoriously uncertain. It was only in 1856 that the Home Office began to compile national statistics; before 1843 execution figures did not even record the gender of those hanged. Interpretation, therefore, is always difficult. I have used the figures that are most generally accepted.
nearly ten million: Stanley H. Palmer, Police and Protest in England and Ireland, 1780â1850 (Cambridge, Cambridge University Press, 1988), p.164.
62 per 100,000: The EU figures come from Cynthia Tavares and Geoffrey Thomas, âPopulation and Social Conditions: Crime and Criminal Justiceâ, in Statistics in Focus, 15, 2007, http://epp.eurostat.ec.europa.eu/cache/ITY_OFFPUB/KS-SF-08â019/EN/KS-SF-08- 019-EN.PDF; the remaining figures are cited in Foreign Policy Review, September 2008.
loose character and hasty temper: These broadsides are in the Bodleian Library, John Johnson Collection, in particular Crime 2.6, 2.7 and 2.8.
by a jury: J.J. Tobias, Crime and Police in England, 1700â1900 (Dublin, Gill & Macmillan, 1979), p.128.
acting on a system: Cited in Leon Radzinowicz, âThe Ratcliffe Murdersâ, Cambridge Law Journal, 1956, p.40.
undoubtedly be seen to be done: Lord Chief Justice Hewart ([1924] 1 KB 256), in the appeal to Rex v. Sussex Justices, Ex parte McCarthy.
Cannon Street Road: The scrapbook, with the undated reports, was cited as ânow in the rectory of St Georgeâs-in-the-Eastâ by P.D. James and T.A. Critchley, The Maul and the Pear Tree (London, Sphere, 1987), p.228.
no traces had yet been discovered: Morning Chronicle, âHouses of Parliamentâ, 18 January 1812.
such accumulated violence: Cited in James and Critchley, The Maul and the Pear Tree, pp.185â6.
in cases of Felony: Cited in Joseph F. King, The Development of Modern Police History in the United Kingdom and the United States, Criminology Studies, vol. 19 (Lewiston, NY, Edward Mellen Press, 2004), p.22.
Middlesex Justice Bill was passed: which became the Justice of the Peace, Metropolis Act, 32 Geo.III, c.53.
original English ones: Ousby, Bloodhounds of Heaven, p.46.
and potential crime: J.M. Beattie, âEarly Detection: The Bow Street Runners in Late Eighteenth-century Londonâ, in Emsley and Shpayer-Makov, Police Detectives in History, p.20.
most notorious offenders: Morning Chronicle, âHouses of Parliamentâ, 18 January 1812. shown to be absurd: Cited in James and Critchley, The Maul and the Pear Tree, p.181. FouchĂ©âs contrivances: David Taylor, The New Police in Nineteenth-century England: Crime, Conflict and Control (Manchester, Manchester University Press, 1997), p.19. beleaguered fortress: Thomas de Quincey, On Murder, âPostscriptâ, p.98. This volume includes the key essays de Quincey wrote on the aesthetics of murder, which initially were published as: âOn the Knocking at the Gate in Macbethâ, London Magazine, 8, October 1823,pp.353â6; âOn Murder Considered as One of the Fine Artsâ, Blackwoodâs Magazine, 21, February 1827, pp.199â213; âSecond Paper on Murder Considered as One of the Fine Artsâ, Blackwoodâs Magazine, 46, November 1839, pp.661â8; âPostscriptâ, Selections Grave and Gay (Edinburgh, 1854), pp.60â111. There is also a short story, âThe Avengerâ, which appeared in Blackwoodâs Magazine, 44, August 1838, pp.208â33.
an orange and a lemon colour: Ibid., p.100; clothes, p.101.
than street thug I owe this interpretation to Laurence Senelick, âThe Prestige of Evil: The Murderer as Romantic Hero from Sade to Lacenaireâ, PhD thesis, Harvard University, 1972, pp.138â46.
2: Trial by Newspaper
for their skins: Eric Partridge, A Dictionary of Slang and Unconventional English, 5 th edn (London, Routledge & Kegan Paul, 1961).
and metropolitan thieves: George Borrow, The Zincali; or, An Account of the Gypsies of Spain, 4th edn (London, John Murray, 1846), p.13.
held 1,200people: Mayhew, London Labour and the London Poor ([1861], NY, Dover, 1968), vol. 1, p.18; Douglas A. Reid, âPopular Theatre in Victorian Birminghamâ, in David Bradby, Louis James and Bernard Sharratt, eds., Performance and Politics in Popular Drama: Aspects of Popular Entertainment ...
Table of contents
- Cover
- Title Page
- Dedication
- CONTENTS
- TEXT ILLUSTRATIONS
- A NOTE ON CURRENCY
- ONE Imagining Murder
- TWO Trial by Newspaper
- THREE Entertaining Murder
- FOUR Policing Murder
- FIVE Panic
- SIX Middle-Class Poisoners
- SEVEN Science, Technology and the Law
- EIGHT Violence
- NINE Modernity
- NOTES
- SOURCES
- SELECT BIBLIOGRAPHY
- INDEX
- ACKNOWLEDGEMENTS
- By the same author
- Copyright
- About the Publisher