Schauspielerei & Vorsprechen

The Dramatic Imagination

Acting for the Camera

Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training

Why Is That So Funny?

National Youth Theatre Monologues

Activated Script Analysis

Actions: The Actors' Thesaurus

Secrets of Screen Acting

Stanislavski: The Basics

The Lucid Body

Othello: Arden Performance Editions

Finding Your Voice

Performing Arts Management

Thinking Shakespeare

Feldenkrais for Actors

Acting Stanislavski

To the Actor

Re-Purposing Suzuki

Book of Sides: Original, One-Page Scenes for Actors and Directors

Many Moons

Zygmunt Molik's Voice and Body Work

Contemporary Monologues for Teenagers: Female

Respect for Acting

Through the Body

Stanislavsky in Focus

Somatic Voices in Performance Research and Beyond

Jacques Copeau

Anatomy of Performance Training

The Viewpoints Book

Acting for Animators

Creating Solo Performance

An Actress Prepares

The Right to Speak

Michael Chekhov's Acting Technique

Voice: Onstage and Off

The Complete Stanislavsky Toolkit

Actor Training

Training of the American Actor

Applied Meisner for the 21st-Century Actor

Staging Sex

Playing Commedia

Acting for the Camera: Back to One

An Actor's Companion

The Tempest: Arden Performance Editions

Stanislavski In Rehearsal

El tiempo amarillo

Deja de actuar. Empieza a vivir

Un reto para el actor

Active Analysis

Konstantin Stanislavsky

LAMDA Verse and Prose Anthology: Volume 20

How to Swing in Musical Theatre

Dynamic Acting through Active Analysis

Successful Auditions

Getting, Keeping & Working with Your Acting Agent: The Compact Guide

Contemporary Monologues for Women

Respeto por la interpretación

La voz y el actor

Contemporary Monologues for Teenagers: Male

Seduction

LAMDA Verse and Prose Anthology: Volume 20

How to Swing in Musical Theatre

Black Women Centre Stage

The Actor and the Space

Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers

The Craft of Screen Acting

LAMDA Acting Anthology: Volume 5

Actors' and Performers' Yearbook 2024

Stanislavsky and Race

Analysis through Action for Actors and Directors

Shakespeare and Lecoq

Nine questions every actor of color should consider when tokenism is not enough

Your Rep Book

Imagining Bodies and Performer Training

The Art of Voice Acting

Meaning in the Midst of Performance

The Non-Professional Actor

Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent

An Actor Survives

Bourdieu in the Studio

What Actors Do

So You Want To Do A Solo Show?

Acting

The Improv Dictionary

Listening and Talking

Improvisation the Michael Chekhov Way

The Vespers

Acting is Your Business

Star Trek Movie Memories

Sophia Robot

Giving Voice

René Pollesch – Arbeit. Brecht. Cinema.

The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka

The Art of Broadsword Fighting for Stage and Screen

Blueprints To Building Your Own Voice-Over Studio

Acting Professionally

Exploring Character Through Structural Metaphor

What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century

Korean Pansori as Voice Theatre

La MaMa Experimental Theatre – A Lasting Bridge Between Cultures

Trish Arnold

America Under the Influence

The Loss of Small White Clouds

Much Ado About Nothing: Arden Performance Editions

Twelfth Night: Arden Performance Editions

Sophia Robot

Giving Voice

Acting is Your Business

From Craft to Career

The Art of Resonance

Shakespeare and Lecoq

Imaginaires postapocalyptiques

LAMDA Verse and Prose Anthology: Volume 20

LAMDA Acting Anthology: Volume 5

The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka

Non spegnere la luna

Nine questions every actor of color should consider when tokenism is not enough

The Actor and the Space

Analysis through Action for Actors and Directors

The Improv Dictionary

The Art of Broadsword Fighting for Stage and Screen

Games for Actors and Non-Actors

The Craft of Screen Acting

Acting Professionally

The Self-Centred Art

Harold Pinter's Shakespeare

Imagining Bodies and Performer Training

Exploring Character Through Structural Metaphor

Secrets of Screen Acting

The Actor Speaks

#CoronaTheater

America Under the Influence

Kristin Linklater

Mothering Performance

Stanislavsky and Pedagogy

Sport and Performance in the Twenty-First Century

Listening and Talking

The Art of Voice Acting

Acting

Meaning in the Midst of Performance

Black Women Centre Stage

What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century

Korean Pansori as Voice Theatre

The Non-Professional Actor

Improvisation the Michael Chekhov Way

Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent

Actors' and Performers' Yearbook 2024

An Actor Survives

La MaMa Experimental Theatre – A Lasting Bridge Between Cultures

The Vespers

Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers

The Actor's Business Plan

Acting Stanislavski

Guía para la actuación del futuro

Trish Arnold

Bourdieu in the Studio

How to Swing in Musical Theatre

What Actors Do

Stanislavsky and Race

Star Trek Movie Memories

Charles Boyer

The Loss of Small White Clouds

So You Want To Do A Solo Show?