Actuación y audiciones

Un actor se prepara

Un reto para el actor

Respeto por la interpretación

Deja de actuar. Empieza a vivir

La voz y el actor

The Viewpoints Book

Through the Body

Creating Solo Performance

A Korean Approach to Actor Training

Zygmunt Molik's Voice and Body Work

Cómo dejar de actuar

ActingConsidered

Many Moons

Different Every Night

Performing Arts Management

Clown

The Physical Actor

Antes de actuar

Respect for Acting

An Actor Prepares

Why Is That So Funny?

Breaking Down Your Script: The Compact Guide

Dynamic Acting through Active Analysis

Active Analysis

Games for Actors and Non-Actors

Puppetry: How to Do It

Acting Comedy

La acrobacia

The Complete Brecht Toolkit

Contemporary Monologues for Women

The Lee Strasberg Notes

Manual Práctico de Actuación para Principiantes : Técnicas para la formación del actor y actriz de cine, teatro y TV : Descubre los primeros pasos para triunfar con la actuación

Guía para la actuación del futuro

Arte y oficio del actor

Re-Purposing Suzuki

Movement for Actors

The Principles of Movement

Book of Sides: Original, One-Page Scenes for Actors and Directors

Classical Monologues for Women

Finding Your Voice

Improv for Actors

Black Women Centre Stage

Play-Acting

The Clowning Workbook

An Introduction to the Phenomenology of Performance Art

Phenomenology for Actors

Stanislavsky in Focus

Contemporary Monologues for Women

Improv Beyond Rules

National Youth Theatre Monologues

The Improviser's Way

Modern Acting

Yevgeny Vakhtangov

Juegos para actores y no actores

The Lucid Body

Breve manual del monólogo de humor

El tiempo amarillo

El trabajo del actor sobre su papel

Groucho and Me

El actor invisible

Guía para la actuación del futuro

Black Women Centre Stage

Breve manual del monólogo de humor

Analysis through Action for Actors and Directors

Nine questions every actor of color should consider when tokenism is not enough

Your Rep Book

The Art of Broadsword Fighting for Stage and Screen

The Improv Dictionary

The Craft of Screen Acting

Acting Professionally

The Actor and the Space

Imagining Bodies and Performer Training

Exploring Character Through Structural Metaphor

Listening and Talking

The Art of Voice Acting

Meaning in the Midst of Performance

Acting

What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century

Improvisation the Michael Chekhov Way

Korean Pansori as Voice Theatre

The Non-Professional Actor

Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent

La MaMa Experimental Theatre – A Lasting Bridge Between Cultures

An Actor Survives

Actors' and Performers' Yearbook 2024

The Vespers

Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers

Trish Arnold

Bourdieu in the Studio

How to Swing in Musical Theatre

Stanislavsky and Race

What Actors Do

Star Trek Movie Memories

America Under the Influence

The Loss of Small White Clouds

So You Want To Do A Solo Show?

The Need for Words

Out of Time?

Stanislavsky and Pedagogy

Kristin Linklater

Acting and Directing Shakespeare's Comedies

Performer Training for Actors and Athletes

Secrets of Screen Acting

Building Embodiment

Inside The Performance Workshop

Reconstructing Performance Art

The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka

LAMDA Verse and Prose Anthology: Volume 20

LAMDA Acting Anthology: Volume 5

Nine questions every actor of color should consider when tokenism is not enough

The Actor and the Space

Analysis through Action for Actors and Directors

The Art of Broadsword Fighting for Stage and Screen

The Improv Dictionary

Games for Actors and Non-Actors

The Craft of Screen Acting

Acting Professionally

Harold Pinter's Shakespeare

Imagining Bodies and Performer Training

Exploring Character Through Structural Metaphor

Secrets of Screen Acting

The Actor Speaks

America Under the Influence

Kristin Linklater

Mothering Performance

Stanislavsky and Pedagogy

Sport and Performance in the Twenty-First Century

Listening and Talking

The Art of Voice Acting

Acting

Meaning in the Midst of Performance

Black Women Centre Stage

What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century

Korean Pansori as Voice Theatre

The Non-Professional Actor

Improvisation the Michael Chekhov Way

Experiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent

An Actor Survives

Actors' and Performers' Yearbook 2024

La MaMa Experimental Theatre – A Lasting Bridge Between Cultures

The Vespers

Voice Made Visible: Multi-Octave Voice Training and Techniques for Performers

Guía para la actuación del futuro

Trish Arnold

Bourdieu in the Studio

How to Swing in Musical Theatre

What Actors Do

Stanislavsky and Race

Star Trek Movie Memories

The Loss of Small White Clouds

So You Want To Do A Solo Show?

Applied Improvisation

The Need for Words

Out of Time?

Acting and Directing Shakespeare's Comedies

Performer Training for Actors and Athletes

Building Embodiment

Reconstructing Performance Art

Inside The Performance Workshop

Text and Context

Breve manual del monólogo de humor

The Western

Great Monologues

Fifteen Years of a Dancer's Life

An Apology for Actors

Play-Acting

The Elemental Actor

The Power of Acting

Activated Script Analysis