English Literary Criticism

The test of Sir Gawain's chivalry

J.B. Priestley

Religious aspects in Emily Dickinson's 'Nature Poems'

Barthes and the Bard - scriptibilité and two adaptations of "A Midsummer Night's Dream"

Contrasted worlds in the fiction of J. K. Rowling

Apocalyptic Transformation

Emily Bronte's "Wuthering Heights" - Diversity in reviews

History and its relevance for understanding Jonathan Swift's satirical works

Shakespeare's sonnets and the Petrarchan tradition

Figure conception and figure characterisation in Alan Ayckbourn's "Things we do for love"

The Challenges of Orpheus

The Princesses' Emancipation – Jeanette Winterson's Rewriting of The Twelve Dancing Princesses in Sexing the Cherry

The Presentation of Speech and Thought in Jane Austen's "Pride and Prejudice" and in Joe Wright's Film Adaptation

Religion and mythology in Oscar Wilde's poem "The Sphinx"

"What is your substance, whereof are you made?" The formation of identity in Shakespeare's Sonnets to the Young Man

Bram Stoker: Dracula - The relationship of Jonathan and Mina Harker

What do you understand by the term melodrama? - Melodramatic components of Jane Eyre

Anxieties of Empire and the Fiction of Intrigue

The motif of decay in "The Waste Land" by T. S. Eliot

Analysis of the Double in Stevenson's "The Strange Case of Dr. Jekyll and Mr. Hyde"

William Blake and the Impossible History of the 1790s

The Forms of Youth

The Prioress's Tale

Zadie Smith's "White Teeth" - Irie as an example for 2nd generation immigrants' desperate search for their place in a multicultural society

The status of metaphor inconstructing historical master-narratives in the novels of Julian Barnes and Graham Swift and Kazuo Ishiguro

About Aldous Huxley's "Those Barren Leaves"

England's First Family of Writers

William Butler Yeats's "Adam's Curse"

Recension of Arthur Millers "Death of a Salesman"

From Stage to Screen - The influence of censorship on Elia Kazan´s A Streetcar Named Desire

The representation of women in early 18th century England

Victorian gender roles and Dickens's image of women as represented in the female characters in "Great Expectations"

'Wuthering Heights' and Victorian values

Oppression and shame - an analysis of sexuality in Willa Cather's "My Antonia" and Toni Morrison's "Beloved"

National identity in the dramatic works of Yeats, Synge and O'Casey

The Use of Bawdy in Shakespeare's "King Lear" and "As You Like It"

Analysis and Interpretation of the Descriptions of Coketown in Charles Dickens' "Hard Times"

"A Pageant truly played" - Scene 3.5 of 'As you like it' put into context

The Relationship between Performance Space and Production of Shakespeare's Roman Plays

Magwitch as victim of society

The Aestheticism in Oscar Wilde's Poems "Impression du Matin" and "Roses and Rue"

Great Expectations as a Bildungsroman

Lamb to the Slaughter - a Detective Story

The narrative construction of the female body in the British novel of the 19th century

Strategies of Emancipation in Olaudah Equiano's 'The Interesting Narrative and Mary Prince's 'The History of Mary Prince'

Rhetoric in the Middle Ages: Geoffrey Chaucer's 'The Parliament of Fowls'

Comparison between the Language of James Joyce and Samuel Beckett

The Romantic Frankenstein

Geoffrey Chaucer's Canterbury Tales

Time as metaphor in writings about love, desire and death

The Relationship between the Natural and Supernatural in Shelley's Frankenstein and Poe's M.S. Found in a Bottle

Shakespeare's Historical Background and the World Picture of the Elizabethan Age

The Collected Works of W.B. Yeats Volume IV: Early Essays

Interpretation of "Eveline"

How To Scare A Monster - The Philosophy of Monsters, Inc.

Elements of magical realism in Zakes Mda's novel She plays with the darkness

Hamlet and the Genre of the Revenge Tragedy

Student Companion to Thomas Hardy

Representation of Catholic Derry During the Year preceding the Troubles in Reading in the Dark

Hugh MacDiarmid and his influence on modern Scottish poetry - language and national identity