Opera Music

Harrison Birtwistle's Operas and Music Theatre

The Cambridge Companion to Opera Studies

Giacomo Puccini

Mozart's Marriage of Figaro

Mozart's Don Giovanni

Puccini's La Bohème

Performing Operas for Mozart

The Opera Fanatic

The Faber Pocket Guide to Wagner

The Puccini Problem

An Introduction to Tchaikovsky's Operas

Operetta

Verdi and Puccini Heroines

The Culture of Opera Buffa in Mozart's Vienna

Lettres de Bayreuth

John Adams's Nixon in China

Rigoletto

Eugene Onegin

Cosi fan Tutte in Full Score

Encore

Teaching Canonic Opera and Musical Theater with Intention

Guide to the Aria Repertoire, Volume II

Così fan tutte, An Opera of Mimetic Revelation

Wagner and the Creation of the Ring

The Voice of the Century

Singing Opera in Germany

Wagner Studies

Inside Chinese Theater

Vox Eurydice

Liszt, Wagner and the Princess

Vincenzo Bellini on Stage and Screen, 1935-2020

London Opera Observed 1711–1844, Volume I

London Opera Observed 1711-1844, Volume III

London Opera Observed 1711-1844, Volume V

The World Got Away

The Nurse in History and Opera

Music at the Turn of the Century

Chinese Street Opera in Singapore

Music Glocalization and the Composer

Latin America and the Transports of Opera

Verdi at the Golden Gate

Seeing Opera Anew

Music, Books and Theatre in Eighteenth-Century Exton

Explaining Music

A View of Berg's Lulu

The Operas of Alban Berg, Volume I

The Operas of Alban Berg, Volume II

Essays on Italian Poetry and Music in the Renaissance, 1350-1600

Wagner Nights

Just Beyond Listening

Richard Wagner and the Art of the Avant-Garde, 1860-1910

Opening Doors: Orchestras, Opera Companies and Community Engagement

Listening in Paris

Queer Opera

Maria Callas

The Italian Opera Singers in Mozart's Vienna

The Lyric Myth of Voice

Tommaso Traetta and the Fusion of Italian and French Opera in Parma

Overture of Hope

The Stage Works of Philip Glass