The Arden Shakespeare

The Dutch Courtesan

Teaching Shakespeare with Purpose

Shakespeare and Law

Hamlet: The Texts Of 1603 And 1623

Music in Shakespeare

Book Culture in Shakespeare’s Stratford

Shakespeare and Costume

The Merchant of Venice: A Critical Reader

A Midsummer Night’s Dream: The State of Play

Girl Culture in the Middle Ages and Renaissance

Shakespeare, Race and Anglophone Popular Culture

Festival Shakespeares

The Winter's Tale

Shakespeare’s First Folio 1623-2023

Money and Magic in Early Modern Drama

Shakespeare / Text

Imagining Cleopatra

Performing Shakespeare's Women

King Henry VIII

Berlioz, Verdi, Wagner, Britten

Women in Shakespeare

Macbeth: A Critical Reader

The Tempest: Language and Writing

Shakespeare's Objects

Women and Cultures of Portraiture in the British Literary Renaissance

Twelfth Night, or What You Will The State of Play

Macbeth in Modern European Culture

Shakespeare and Ballet

Measure for Measure: A Critical Reader

Shakespeare and Disability Theory

Shakespeare and Brecht

Early Modern Performance Beyond the Public Stage

Queering Early Modern Death in England

Shakespeare’s Fascist Followers

Richard Burbage and the Shakespearean Stage

The Merchant of Venice

Shakespeare’s Compassion

The Winter's Tale: Arden Performance Editions

Atrocity and Early Modern Drama

A Comprehensive Guide to Shakespeare’s Sonnets

Shakespeare and Stanislavsky

Shakespeare’s Classical Mythology A Dictionary

Shakespeare’s Classical Mythology A Dictionary

Contemporary Readings in Global Performances of Shakespeare

Shakespeare / Play

Shakespeare in the Theatre: Tina Packer

Antony and Cleopatra

Shakespeare / Space

The Alchemist

Arden of Faversham: A Critical Reader

Arden of Faversham: A Critical Reader

Shakespeare’s Histories on Screen

Creating Space for Shakespeare

King Lear

Shakespeare and Adaptation Theory

The Arden Handbook of Shakespeare and Early Modern Drama

Hamlet

Shakespeare and Animals

Romeo and Juliet, Adaptation and the Arts

Lockdown Shakespeare