History of Renaissance Art

Studies In Iconology

Italian Renaissance Art

A Short History of Renaissance Italy

Michelangelo

The Early Renaissance and Vernacular Culture

A Companion to Renaissance and Baroque Art

Gloriana

The Making of Juana of Austria

Brunelleschi’s Basilica

Convicting the Innocent

Michelangelo

Caravaggio and the Creation of Modernity

Actors Carved and Cast

The Portrait in the Renaissance

The Sistine Chapel

Dürer's Fight Book

Botticelli

Artemisia Gentileschi and Feminism in Early Modern Europe

Michelangelo, God's Architect

Imagining the Americas in Medici Florence

Pagan Virtue in a Christian World

The Power and the Glorification

Women’s Patronage and Gendered Cultural Networks in Early Modern Europe

Rome Measured and Imagined

Leonardo da Vinci

Only Connect

Writing Fashion in Early Modern Italy

A Convert’s Tale

The Perfect Genre. Drama and Painting in Renaissance Italy

Giotto and His Publics

French Suite

The Study

Rembrandt’s Holland

Titian and the End of the Venetian Renaissance

The Neapolitan Lives and Careers of Netherlandish Immigrant Painters

Animal Sightings

Michelangelo and artworks

Ambitious Form

The First Book of Fashion

Titian’s Touch

Sandro Botticelli

Delphi Complete Works of Correggio

Early Modern Habsburg Women

Lorenzo de' Medici and the Art of Magnificence

Women and Cultures of Portraiture in the British Literary Renaissance

Caravaggio in Early Modern Sicily

Women in Early Modern Venetian Art

The Brothel and Beyond

Queen Henrietta's Men and the Cockpit Repertory

Shipwreck Hauntography

Artisans, Objects and Everyday Life in Renaissance Italy

Bernini Ephemeral and Preparatory Sculpture

Hans Memling and the Merchants

Women, Fertility, and Maternal Art in Renaissance Florence

Van Gogh Has a Broken Heart

A journey through Renaissance art

The Man Who Broke Michelangelo’s Nose

Redreaming the Renaissance

The Routledge Handbook for Global South Studies on Subjectivities

Illuminating the Vitae patrum