Entertainment Industry

Critical Essays on Twin Peaks: The Return

The Reasonable Audience

American Televangelism and Participatory Cultures

The Classical Music Industry

The Future of Audiences

Independent Television Production in the UK

Predicting Movie Success at the Box Office

Starting Your Career as a Freelance Writer

Portugal's Global Cinema

iBroadway

Cult Media

Perspectives on Contemporary Irish Theatre

Broadway General Manager

RuPaul’s Drag Race and the Shifting Visibility of Drag Culture

Hollywood Studio Musicians

Hollywood Made in China

Exception Taken

The SAGE Handbook of Sport Management

L'industria delle immagini

Seoul Man

Streaming, Sharing, Stealing

A Profile of the Performing Arts Industry

The Economics of Creativity

Secrets of Breaking into the Film and TV Business

The Art of Music Publishing

Inside Prime Time

The Coming of Sound

Hollywood Economics

Chasing Hollywood

Creativity and Conflict in the Cultural Industries

Event Security and Leadership

Behind the Scenes of the Video Game Industry

Power Surge

Data-Driven Hollywood

The Bookie

Champions for the Arts

Guide to Diversity, Equity, and Inclusion in the Music Industry

Film Policies in Europe

Minor Keys

Extended Reality in Culture and Creative Industries

Street Performance and Alternative Organisation

The Co-production Landscape in Europe

Cultural Policies in the Era of the Korean Wave

Burning Down the House

Technological Innovation and AI for Sustainable Development in Events and Festivals

The Golden Hour

Migration Film Festivals

The People We Watch

On the Grid

The Exhibitor as Producer

Artist Management in the Music Industries

Theatre and Performance in Contemporary Scotland

Covid-19 in Film and Television

Tennessee Strings

Staging Deaf and Hearing Theatre Productions

Contemporary Irish Theatre

Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway

Multilingual Dramaturgies

Rainmaker

Hollywood and China in the Post-postclassical Era