Theatre History & Criticism

Staged

Theatre and Human Rights

Chinatown Opera Theater in North America

Theater of the Dead

The Production Notebooks, Volume 2

Culture Is the Body

The Art of Stillness

Cultivating National Identity through Performance

The Director's Voice, Vol. 2

Babylon Girls

Stage Writers Handbook

The Director's Voice

The Theatre of Revolt

Metamodernism in Contemporary British Theatre

Theatre's Heterotopias

Science Fiction and Contemporary British Theatre

Sophia Robot

Messy Connections

Performing Left Populism

Texte zur Musikdramatik im 17. und 18. Jahrhundert

AI, AR, and VR in Theatre and Performance

Community-based Arts, Research and Activism in Uganda

Independent Performing Arts in Europe

The Palgrave Handbook of the History of Women on Stage

Theatricality in the Horror Film

Theory for Theatre Studies: Space

Onnagata

The Performing Subject in the Space of Technology

Susan Glaspell and Sophie Treadwell

Postdramatic Theatre

The Methuen Drama Handbook of Women in Contemporary British Theatre

Stanislavski and The Method for the 21st Century Actor

Teaching Hamlet in the Twenty-First-Century Classroom

Teaching Acting with Practical Aesthetics

Theory/Theatre: An Introduction

Acting Realism

Medea

The Struggle Continues: Robbie McCauley

Notes from a Working-Class Playwright

A Midsummer Night’s Dream: The State of Play

The Neo-liberalization of Political Theatre in Punjab

An Alchemy of Living Culture

Being Black and British

Early Modern Performance Beyond the Public Stage

Applied Theatre: Participation

Shakespeare’s Fascist Followers

Stanislavsky and Mindfulness

Embracing Disruption

Performance and Performativity of Dalit Students Politics in India

Theater of the Void

A Theatre of Powerlessness

Undesirability and Her Sisters

Mattering Spiritualities

Shakespeare's Compassion

Hunting for Justice

Creating Life Story Theatre

Noh

Kathakali

Applied Theatre: Voice

Acting Out