Books
  • Gender and Parenthood
  • The Incident at Antioch / L’Incident d’Antioche
  • Hospice Social Work
  • Japan and the Culture of the Four Seasons
  • Eastern Sentiments
  • The Cinema of Takeshi Kitano
  • The Cinema of the Dardenne Brothers
  • The Bhāgavata Purāna
  • Rising Seas
  • The Birth of Chinese Feminism
  • Polishing Your Prose
  • Sources of Tibetan Tradition
  • Satyajit Ray on Cinema
  • Muslim Identities
  • The Tibetan History Reader
  • Protest with Chinese Characteristics
  • Double Agents
  • The Cinema of Terry Gilliam
  • The Truth About Girls and Boys
  • Social Justice and the Urban Obesity Crisis
  • The Cinema of Richard Linklater
  • The Cinema of Steven Soderbergh
  • To Carl Schmitt
  • Fossil Mammals of Asia
  • The Robin Hood Rules for Smart Giving
  • The Cinema of Béla Tarr
  • Qualitative Research in Social Work
  • Mothers in Academia
  • In Translation
  • The Therapist in Mourning
  • Philosophical Temperaments
  • The Social Work Interview
  • Strategic Intuition
  • Human Trafficking Around the World
  • More Than You Know
  • Shivers Down Your Spine
  • The Avian Migrant
  • Self and Emotional Life
  • The Best Business Writing 2013
  • One Out of Three
  • Beyond the Cyborg
  • Eastwood's Iwo Jima
  • Film Dialogue
  • The Cinema of Aki Kaurismäki
  • Stalking Nabokov
  • If A, Then B
  • Social Work Values and Ethics
  • The Great Kantō Earthquake and the Chimera of National Reconstruction in Japan
  • The Politics of Our Selves
  • Rising Sun, Divided Land
  • Critical Children
  • Confronting Injustice and Oppression
  • New Perspectives on International Migration and Development
  • Record of Miraculous Events in Japan
  • The Letters of Gertrude Stein and Carl Van Vechten, 1913-1946
  • Gendering Global Conflict
  • The Disclosure of Politics
  • Robert N. Butler, MD
  • Democracy and Islam in Indonesia
  • Promised Bodies
  • The Cinema of Michael Mann
  • Hollywood’s Copyright Wars
  • American Force
  • Solving Problems with Design Thinking
  • Perversion for Profit
  • Night Passages
  • Interracial Couples, Intimacy, and Therapy
  • Sufi Bodies
  • Spinoza for Our Time
  • Contemporary Japanese Politics
  • The Epigenetics Revolution
  • The Garden and the Fire
  • Crowds and Democracy
  • Smart Machines
  • Are the Lips a Grave?
  • When the Invasion of Land Failed
  • Contemporary Romanian Cinema
  • The AIDS Conspiracy
  • The Yogin and the Madman
  • Religion, the Secular, and the Politics of Sexual Difference
  • Bringing Fossils to Life
  • Love in Motion
  • Fountain House
  • Decision Cases for Advanced Social Work Practice
  • Cinematic Appeals
  • This Place, These People
  • Cut-Pieces
  • An Introduction to Daoist Philosophies
  • The Hockey Stick and the Climate Wars
  • Parting Ways
  • Governance Without a State?
  • How Finance Is Shaping the Economies of China, Japan, and Korea
  • The Complete Works of Zhuangzi
  • The Call of Character
  • Multimodal Treatment of Acute Psychiatric Illness
  • The Best American Magazine Writing 2013
  • An Encouragement of Learning
  • Toward the Geopolitical Novel
  • Derailing Democracy in Afghanistan
  • Henry Stubbe and the Beginnings of Islam
  • Unifying Hinduism
  • Under Siege
  • Sustainability Management
  • Islam Through Western Eyes
  • The Designing for Growth Field Book
  • Continental Strangers
  • Beyond Sinology
  • Children Living in Transition
  • Prophecy, Alchemy, and the End of Time
  • Exemplary Women of Early China
  • Sex and World Peace
  • The Cinema of Alexander Sokurov
  • Lust, Commerce, and Corruption
  • Contentious Activism and Inter-Korean Relations
  • The Severed Head
  • Boundaries of Toleration
  • Breaking with the Past
  • Quadrophenia
  • Faster, Pussycat! Kill! Kill!
  • An Improbable Life
  • Passion for Reality
  • A Primer in Biological Data Analysis and Visualization Using R
  • Shifting Sands
  • Head Cases
  • Frankenstein
  • A Materialism for the Masses
  • Religion, Food, and Eating in North America
  • Intelligence and U.S. Foreign Policy
  • Early Medieval China
  • The Heist Film
  • The Sports Film
  • DMZ Crossing
  • The Novel After Theory
  • Slow Movies
  • The Columbia Anthology of Modern Chinese Drama
  • Derrida/Searle
  • Survivors of Slavery
  • Video Revolutions
  • New Tunisian Cinema
  • Lady in the Dark
  • Supervision in Social Work
  • The Making of Lee Boyd Malvo
  • Globalized Arts
  • The Ultimate Stallone Reader
  • Troubled Apologies Among Japan, Korea, and the United States
  • Time and the Other
  • Unearthing the Changes
  • Racial Disproportionality in Child Welfare
  • The Columbia Anthology of Yuan Drama
  • Never Forget National Humiliation
  • The Millennial Sovereign
  • Ahmed the Philosopher
  • Mad Mothers, Bad Mothers, and What a "Good" Mother Would Do
  • Crowded Orbits
  • Religion and Ecology
  • Beyond News
  • A Farewell to Truth
  • Brains, Buddhas, and Believing
  • Bonded Labor
  • Literature and Film in Cold War South Korea
  • Moved by the Past
  • Jacques Lacan, Past and Present
  • Handbook of Social Work Practice with Vulnerable and Resilient Populations
  • A Semite
  • International Politics and Film
  • The Cinema of Agnès Varda
  • Globalectics
  • The Inner Life of the Dying Person
  • Writing Resistance
  • Our Broad Present
  • The Power of Tolerance
  • Understanding Environmental Policy
  • Narrating Social Work Through Autoethnography
  • Religion in America
  • Making Sense of Tantric Buddhism
  • The China Threat
  • When a Woman Becomes a Religious Dynasty
  • Serendipities
  • The Struggle for Form
  • Looks Good on Paper?
  • The Black Power Movement and American Social Work
  • Enigmas of Health and Disease
  • Creating a Learning Society
  • The Collapse of Western Civilization
  • The Assault on Social Policy
  • Foundations of the Earth
  • Ibn Sina’s Remarks and Admonitions: Physics and Metaphysics
  • The Nature of Value
  • The Pariah Problem
  • Speculation, Trading, and Bubbles
  • The Columbia Sourcebook of Mormons in the United States
  • Radical History and the Politics of Art
  • The Arrow Impossibility Theorem
  • Hermeneutic Communism
  • Modernism at the Barricades
  • Spells, Images, and Mandalas
  • Race in a Bottle
  • Aristotle's Ladder, Darwin's Tree
  • Intimate Strangers
  • Self-Consciousness and the Critique of the Subject
  • New Strategies for Social Innovation
  • The Elements of Academic Style
  • Mind in the Balance
  • The Right to Justification
  • The Columbia Sourcebook of Literary Taiwan
  • Creative Strategy
  • The Wrath of Capital
  • The Kojiki
  • Child Welfare for the Twenty-first Century
  • Flying Dinosaurs
  • The Impossible State
  • The Cinema of James Cameron
  • The Arab Uprisings Explained
  • The Cinema of István Szabó
  • Last Words
  • Wombs in Labor
  • Women in the Mosque
  • Not Like a Native Speaker
  • Learn or Die
  • The New Ecology of Leadership
  • Field Notes from Elsewhere
  • Conflict, Conquest, and Conversion
  • Rewiring the Real
  • A Convergence of Civilizations
  • The Culture of the Book in Tibet
  • On Slowness
  • Photography and Its Violations
  • Parallel Lines
  • After the Silents
  • The Columbia Anthology of Japanese Essays
  • Love and War
  • Social Work
  • Paleopoetics
  • The Great Civilized Conversation
  • The Economists’ Voice 2.0
  • Chop Suey, USA
  • Social Inquiry After Wittgenstein and Kuhn
  • When the Future Disappears
  • The Philosopher's Plant
  • Dreaming of Cinema
  • Community Economic Development in Social Work
  • Visions of Dystopia in China’s New Historical Novels
  • Shanghai Homes
  • Uncertainty, Expectations, and Financial Instability
  • The Cinema of Clint Eastwood
  • Risk Management in Social Work
  • Addressing Racial Disproportionality and Disparities in Human Services
  • Cloud of the Impossible
  • The Best American Magazine Writing 2014
  • The Domestication of Language
  • China’s Search for Security
  • The Orphan of Zhao and Other Yuan Plays
  • Baby Boomers of Color
  • Maya Deren
  • Masks of Conquest
  • They Live
  • The Gangster Film
  • Bio-pics
  • Pandora’s Risk
  • The Best Business Writing 2014
  • After the Red Army Faction
  • "It's the Pictures That Got Small"
  • What Does Europe Want?
  • The Cinema of Ang Lee
  • Rawls and Religion
  • Film Worlds
  • Mankind Beyond Earth
  • Mission Revolution
  • Green Innovation in China
  • Flickering Empire
  • The Lyrical in Epic Time
  • Spiritual Assessment in Social Work and Mental Health Practice
  • The Columbia History of Post-World War II America
  • Engaged Journalism
  • Plastic Reality
  • The Origins of Business, Money, and Markets
  • Art on Trial
  • Autobiography of an Archive
  • Internet Literature in China
  • Foundations of the American Century
  • Latin Hitchcock
  • Faces of Power
  • Motion(less) Pictures
  • Cold War Modernists
  • Losing Control?
  • The Lumière Galaxy
  • Bollywood's India
  • Theatre and Evolution from Ibsen to Beckett
  • The Age of Sustainable Development
  • Voices of the Arab Spring
  • Wondrous Brutal Fictions
  • The Invention of Private Life
  • Genealogy of American Finance
  • Hollywood and Hitler, 1933-1939
  • Nietzsche Versus Paul
  • The Dalai Lama and the Emperor of China
  • Why We Dance
  • The Greening of Asia
  • The End of Cinema?
  • Business Secrets of the Trappist Monks
  • Sovereignty
  • Freedom and the Self
  • The Use and Abuse of Cinema
  • Sight Unseen
  • Voices of Negritude in Modernist Print
  • Global Intellectual History
  • Criminal Justice at the Crossroads
  • Families of Virtue
  • The Subject of Torture
  • Earth and World
  • Global Alert
  • Religion and Sports
  • AIDS Between Science and Politics
  • Rawls's Political Liberalism
  • Installation and the Moving Image
  • Documenting Cityscapes
  • The Problem with Pleasure
  • Documents of Utopia
  • Paul's Summons to Messianic Life
  • The Homoerotics of Orientalism
  • Human Kindness and the Smell of Warm Croissants
  • The Political Impossibility of Modern Counterinsurgency
  • Plato's Republic
  • The Practices of the Enlightenment
  • Engaging the Past
  • Realizing Awakened Consciousness
  • Film Programming
  • Social Acceleration
  • Talking About Torture
  • Nuclear Nightmares
  • Captive Society
  • Sex Crimes
  • Toward a Unified Ecology
  • Postmodernism and Film
  • Critical Issues in Child Welfare
  • Debating Race, Ethnicity, and Latino Identity
  • Understanding Brain Aging and Dementia
  • The Cinema of the Coen Brothers
  • The Problem with God
  • The Cinema of Christopher Nolan
  • Force of God
  • The Science of Chinese Buddhism
  • Gray Sabbath
  • The Politics and Poetics of Cinematic Realism
  • Doing Aesthetics with Arendt
  • Algerian Imprints
  • The Hidden God
  • The Why of Things
  • Gay Directors, Gay Films?
  • Ecological Economics for the Anthropocene
  • Beyond Individualism
  • Studios Before the System
  • Poetic Machinations
  • The Sensual God
  • FDA in the Twenty-First Century
  • Way Too Cool
  • Electric Santería
  • Sources of Indian Traditions
  • Industrial Policy and Economic Transformation in Africa
  • The Weave of My Life
  • Factory of Strategy
  • Dying
  • A Political Economy of the Senses
  • Beyond Biofatalism
  • Green Capital
  • For His Eyes Only
  • Sebald's Vision
  • Sewing Women
  • Nation at Play
  • In Their Voices
  • Love and Forgiveness for a More Just World
  • Pragmatism as Transition
  • A Hedonist Manifesto
  • Relativism and Religion
  • Love and Liberation
  • The Making of Salafism
  • The Lost Garden
  • Yoshitsune and the Thousand Cherry Trees
  • From Resilience to Revolution
  • Holocaust Cinema in the Twenty-First Century
  • The Death Penalty in China
  • Reading The Tale of Genji
  • Adventures of the Symbolic
  • Short Selling
  • The Silent Qur'an and the Speaking Qur'an
  • The Extinct Scene
  • Deathpower
  • Adult Sibling Relationships
  • Mormonism and American Politics
  • Roberto Bolaño's Fiction
  • The Best American Magazine Writing 2015
  • Reimagining the Sacred
  • Spreading Buddha's Word in East Asia
  • Luxuriant Gems of the Spring and Autumn
  • The Other Blacklist
  • Religion, Secularism, and Constitutional Democracy
  • Across the Lines of Conflict
  • Chaos Imagined
  • The Road Movie
  • Calypso Jews
  • Domestic Minor Sex Trafficking
  • The Wheel
  • Transracial and Intercountry Adoptions
  • The Ethical Economy
  • Impersonal Enunciation, or the Place of Film
  • Coming to Our Senses
  • Sexual Politics
  • At the End of the Street in the Shadow
  • "How Come Boys Get to Keep Their Noses?"
  • The Autonomy of Pleasure
  • Me Medicine vs. We Medicine
  • Horses, Horses, in the End the Light Remains Pure
  • Facing Climate Change
  • Slow Boat to China and Other Stories
  • The Immigrant Other
  • Practice Extended
  • Race and Secularism in America
  • The Cinema of Robert Altman
  • Shakespeare and the Jews
  • Mediating Mobility
  • Cultures of Representation
  • Eat This Book
  • Plagiarama!
  • The Great East Asian War and the Birth of the Korean Nation
  • New York’s Yiddish Theater
  • Signs and Wonders
  • People, Parasites, and Plowshares
  • Acute Melancholia and Other Essays
  • Negative Emotions and Transitional Justice
  • Sugawara and the Secrets of Calligraphy
  • Toxic Safety
  • Recovering Buddhism in Modern China
  • Readings of the Vessantara Jātaka
  • State of Nature, Stages of Society
  • The Gathering of Intentions
  • The Plebeian Experience
  • Imitation and Creativity in Japanese Arts
  • The Matchmaker, the Apprentice, and the Football Fan
  • Taste as Experience
  • The Digital Transformation Playbook
  • Ethnic Conflict and Protest in Tibet and Xinjiang
  • Socialism of Fools
  • The Columbia Companion to Modern Chinese Literature
  • Wiring the World
  • Pakistan at the Crossroads
  • Movie Journal
  • An Annotated Bibliography for Taiwan Film Studies
  • A Korean War Captive in Japan, 1597–1600
  • The Power of a Single Number
  • On the Difficulty of Living Together
  • Social Work Science
  • Edo Kabuki in Transition
  • Light and Dark
  • The Star as Icon
  • Grassroots Fascism
  • What Is a People?
  • Too Little, Too Late
  • The Five Horsemen of the Modern World
  • Religion and the Specter of the West
  • Everyone Dies Young
  • Theory of Identities
  • School-Linked Services
  • The Taliban's Virtual Emirate
  • When Movies Were Theater
  • Immigrant and Refugee Children and Families
  • Intimate Rivals
  • Transgression in Anglo-American Cinema
  • A Book to Burn and a Book to Keep (Hidden)
  • Projecting Race
  • Cinéma Militant
  • The Evolution of Money
  • The Company and the Shogun
  • In Defense of Religious Moderation
  • Presidential Debates
  • I Speak, Therefore I Am
  • Through Vegetal Being
  • Reimagining the Human Service Relationship
  • Deaths in Venice
  • The Metamorphoses of Fat
  • Rethinking Investment Incentives
  • Ecosickness in Contemporary U.S. Fiction
  • The Tale of Hansuli Turn
  • Nature's Pharmacopeia
  • Fast Forward
  • Sport
  • Sex Trafficking in the United States
  • Research Methods in Child Welfare
  • The Miracle Myth
  • Negotiating Languages
  • Broken Tablets
  • The Evolution of the Global Terrorist Threat
  • Starve and Immolate
  • Psychoanalysis and the Human Sciences
  • Deciding What’s True
  • Governance in the New Global Disorder
  • The Psycho Records
  • For Nirvana
  • Love in the Dark
  • Unspeakable Histories
  • Book of Value
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