Books
  • The Composition of Movements to Come
  • Can Labour Win?
  • Word
  • Greek Endgame
  • Oxi: An Act of Resistance
  • Feminism, Digital Culture and the Politics of Transmission
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  • The Great Financial Plumbing
  • Carbon Capitalism
  • Rule-Makers or Rule-Takers?
  • The Political Economy of the 2014-2020 Common Agricultural Policy
  • Financing the EU Budget
  • Hegel, Freud and Fanon
  • Creolizing Rousseau
  • Making Sense of Heidegger
  • What Lies Between
  • Open Education
  • How to Keep a Competitive Edge in the Talent Game
  • Love in the Post: From Plato to Derrida
  • Participatory Democracy in Southern Europe
  • The Concept of World from Kant to Derrida
  • Everyday Economics
  • Reflections on the Future of the Left
  • The Economics of Arms
  • Behavioural Economics
  • Of Time and Lamentation
  • Analysing Corruption
  • The Living Wage
  • The Political Economy of Brexit
  • The Contradictions of Capital in the Twenty-First Century
  • Civil Economy
  • Mental
  • Gerald of Wales
  • The Welsh and the Medieval World
  • Mary Shelley
  • The Welsh Law of Women
  • Posthuman Gothic
  • The Monstrous Middle Ages
  • Rhodri
  • Welsh Planning Law and Practice
  • Administrative Justice in Wales and Comparative Perspectives
  • Celtic Wales
  • Werewolves, Wolves and the Gothic
  • Constitutional Reform in Britain and France
  • Labour, Mobility and Temporary Migration
  • Stories Set Forth with Fair Words
  • Le Bone Florence of Rome
  • Community Organization and Development
  • The Enlightenment in Iberia and Ibero-America
  • Between Wales and England
  • The Arthurian Place Names of Wales
  • The Literature of Wales
  • María Zambrano
  • Discovering Dylan Thomas
  • From Depression to Devolution
  • Capitalism and its Discontents
  • Owen Rhoscomyl
  • Science Fiction, New Space Opera, and Neoliberal Globalism
  • Roald Dahl
  • The First Prince of Wales?
  • Administrative Law and The Administrative Court in Wales
  • Crusader Landscapes in the Medieval Levant
  • Saturday's Silence
  • The Eisteddfod
  • The Welsh Language Commissioner in Context
  • Coastal Systems
  • The Spanish Golden Age Sonnet
  • Our Changing Land
  • Francis Fukuyama and the End of History
  • Queer Wales
  • On Art and Painting
  • Americanism, Media and the Politics of Culture in 1930s France
  • The History and Architecture of Cardiff Civic Centre
  • The Nations of Wales
  • The Customs and Traditions of Wales
  • The Gothic Condition
  • Crime Fiction in German
  • Shakespeare's Settings and a Sense of Place
  • Count Us In
  • Understanding Celtic Religion
  • Petticoat Heroes
  • Baroque Spain and the Writing of Visual and Material Culture
  • Secret Sins
  • Making Chaucer's Book of the Duchess
  • Richard Marsh
  • A History of Money
  • Welsh Traditional Music
  • Our Mothers' Land
  • The Practical Guide to Buying and Running a Smallholding in Wales
  • Teresa Margolles and the Aesthetics of Death
  • The 'War on Terror'
  • People, Places and Passions
  • The Gothic and the Carnivalesque in American Culture
  • Wales Unchained
  • Investigating Language Attitudes
  • A Tolerant Nation?
  • Liberating Dylan Thomas
  • Abbeys and Priories of Medieval Wales
  • Political Pamphlets and Sermons from Wales 1790-1806
  • Nietzsche and Napoleon
  • Body Gothic
  • Revolution to Devolution
  • These Poor Hands
  • Hegel and Marx
  • The Twilight of the Gothic?
  • Dylan Thomas
  • The Fascist Party in Wales?
  • The Welsh Language
  • Scientific Americans
  • Shipping at Cardiff
  • Street Urchins, Sociopaths and Degenerates
  • Dylan Thomas's Swansea, Gower and Laugharne
  • Llywelyn ap Gruffudd
  • Canadian Gothic
  • Search for the Nile's Source
  • After Raymond Williams
  • R.S. Thomas
  • The Art of the Text
  • Arthur in Medieval Welsh Literature
  • Spiritual Encounters with Unusual Light Phenomena
  • Edward Thomas and World Literary Studies
  • Welsh Periodicals in English 1882-2012
  • The South Wales Miners
  • Welsh Gothic
  • The Brazilian Road Movie
  • Cinema and the Republic
  • Women's Writing in Twenty-First-Century France
  • Crime Fiction in the City
  • Monastic Wales
  • Environmental Law and Policy in Wales
  • The Spanish Civil War
  • George Eliot and the Gothic Novel
  • Female Gothic Histories
  • The Fantastic and European Gothic
  • Women's Ghost Literature in Nineteenth-Century Britain
  • The United Nations Convention on the Rights of the Child in Wales
  • Travels in Revolutionary France and a Journey Across America
  • Transforming Childcare and Listening to Families
  • Proust and the Visual
  • Changing Directions of the British Welfare State
  • The Legal History of Wales
  • Adolfo Bioy Casares
  • Rimbaud's Impressionist Poetics
  • Black Skin, Blue Books
  • Owain Arwel Hughes
  • Robert Recorde
  • The Holy Grail
  • Ruth Bidgood
  • Gothic Music
  • Remaking Brazil
  • Kant on Sublimity and Morality
  • The Elect Methodists
  • Jailtacht
  • An Introduction to the 'Glossa Ordinaria' as Medieval Hypertext
  • Cartographies of Culture
  • Sex and Society in Early Twentieth Century Spain
  • Los Invisibles
  • Queer Others in Victorian Gothic
  • The Queer Uncanny
  • The Women and Men of 1926
  • Robert Owen and his Legacy
  • The Films of Elias Querejeta
  • Poverty, Ethics and Justice
  • Rural Wales in the Twenty-First Century
  • Italian Crime Fiction
  • A Guide to the Churches and Chapels of Wales
  • R. S. Thomas
  • Gothic Machine
  • The Ladies of Gregynog
  • Mapping the Medieval City
  • The Acts of Welsh Rulers, 1120-1283
  • Western Sahara
  • History of the Gothic: Twentieth-Century Gothic
  • Modern Argentine Poetry
  • The Arthur of the North
  • Stephen King's Gothic
  • In the Shadow of the Pulpit
  • Kate Roberts
  • Iberian Crime Fiction
  • Scandinavian Crime Fiction
  • The Poetics of Otherness in Antonio Machado's 'proverbios Y Cantares'
  • Making Sense of Wales
  • Bram Stoker
  • Slave Wales
  • Welsh in the Twenty-First Century
  • The Entrepreneurial Society of the Rhondda Valleys, 1840-1920
  • The Dialogue of the Government of Wales (1594)
  • Wine Drinking Culture in France
  • Wilkie Collins, Medicine and the Gothic
  • Spirituality in Ministerial Formation
  • Shakespearean Gothic
  • History of the Gothic: Gothic Literature 1764-1824
  • History of the Gothic: Gothic Literature 1825-1914
  • The Welsh in Iowa
  • Embodying Identity
  • All That Is Wales
  • Why Wales Never Was
  • Entrancement
  • Rediscovering Margiad Evans
  • Postcolonialism Revisited
  • Wales and Socialism
  • Darogan
  • Galicia, A Sentimental Nation
  • The Mexican Transition
  • Welsh Poetry of the French Revolution, 1789-1805
  • Gibraltar
  • Barcelona
  • Edward Thomas
  • Poverty, Ethics and Justice
  • Charles Brockden Brown
  • Exodus from Cardiganshire
  • History of Money
  • Patrick McGrath
  • Equality and Public Policy
  • Gendering Border Studies
  • Bangor University 1884-2009
  • Republicanism and the American Gothic
  • Deleuze and Guattari
  • Across the Art/Life Divide
  • Integrative Alexander Technique Practice for Performing Artists
  • Into the Story 2
  • One Hundred Years of Futurism
  • Australian Film Theory and Criticism
  • The Hour of All Things and Other Plays
  • Personal Style Blogs
  • Picturing the Cosmos
  • Drawing as a Way of Knowing in Art and Science
  • Connecting Metal to Culture
  • Broadcasting and National Imagination in Post-Communist Latvia
  • The Imaginary Geography of Hollywood Cinema 1960-2000
  • The Hollywood War Film
  • Plays in Time
  • The Sensible Stage
  • The Dynamics of News and Indigenous Policy in Australia
  • Film Studies in China
  • Celebrity Culture and the Entertainment Industry in Asia
  • Food Democracy
  • Building Successful and Sustainable Film and Television Businesses
  • Artistic Research in the Future Academy
  • Europe Faces Europe
  • Saudade in Brazilian Cinema
  • Transformations
  • Towards a Praxis-based Media and Journalism Research
  • Playwriting and Young Audiences
  • Cultural Quarters
  • Ghostbodies
  • Television Antiheroines
  • Freaks of History
  • The Artist as Culture Producer
  • The Swedish Porn Scene
  • Kiosk Literature of Silver Age Spain
  • Street Fashion Moscow
  • Magnet Theatre
  • Directory of World Cinema: Iran 2
  • Serbian & Greek Art Music
  • Communication Skills
  • Harm and Offence in Media Content
  • Lure of the Big Screen
  • Dance, Somatics and Spiritualities
  • World Film Locations: Marseilles
  • Images and Identity
  • World Film Locations: San Francisco
  • The Wise Body
  • Film, Drama and the Break Up of Britain
  • Don't Look Now
  • The Film Paintings of David Lynch
  • Zapolska's Women
  • Readings in Primary Art Education
  • Walking, Writing and Performance
  • Diasporas of Australian Cinema
  • Cinema and Landscape
  • Theatre, Time and Temporality
  • Journalism Re-examined
  • New Patterns in Global Television Formats
  • Research-based Theatre
  • Activating Democracy
  • Seamlessness
  • Islamic Architecture on the Move
  • The Multisensory Film Experience
  • Irish Drama in Poland
  • Memory, Space and Sound
  • Englishness, Pop and Post-War Britain
  • Gay Men at the Movies
  • Precarious Spaces
  • Theatrical Reality
  • Mindful Movement
  • On Repetition
  • Imaging the City
  • Filming the City
  • Spellbound
  • Justitia
  • Fan Phenomena: James Bond
  • Fan Phenomena: Supernatural
  • Fan Phenomena: Audrey Hepburn
  • Russia's New Fin de Siècle
  • Why We Make Art
  • Indebted to Intervene
  • Applied Theatre Second Edition
  • JARMAN (all this maddening beauty) and other plays
  • Montréal Chic
  • Beijing Film Academy Yearbook 2015
  • On Stage
  • Locating the Audience
  • Entering Transmasculinity
  • Digital Futures and the City of Today
  • Kurt Kren
  • Consumer Culture
  • Polish Media Art in an Expanded Field
  • Arts Integration in Education
  • Fan Phenomena: The Lord of the Rings
  • Cartomancy and Tarot in Film
  • Representations of Working in Arts Education
  • Sustainability, Participation and Culture in Communication
  • Dorset
  • Composed Theatre
  • Phenomenology's Material Presence
  • New Flows in Global TV
  • Dysfunction and Decentralization in New Media Art and Education
  • Shooting Women
  • The Art Rules
  • Creativity, Culture and Commerce
  • Immigration Cinema in the New Europe
  • Theater of War
  • Money Talks
  • Rhetoric of Modern Death in American Living Dead Films
  • The Roots of Modern Hollywood
  • Body and Mind in Motion
  • Who's Who in Research: Performing Arts
  • The Age of Television
  • Reading bande dessinee
  • Frames of Mind
  • Media Poetry
  • Trends in Functional Programming Volume 7
  • Myths
  • British Pantomime Performance
  • Contemporary Theatre in Education
  • The Morality of Mrs. Dulska
  • David Cronenberg
  • One for the Girls!
  • Reclaiming the Media
  • Twilight of the Goths
  • Digital Magazine Design
  • The Professionalisation of Political Communication
  • Art Education in a Postmodern World
  • The Problem of Assessment in Art and Design
  • Visual Communication
  • The Future of Art in a Digital Age
  • Traumatic Encounters in Italian Film
  • The Potentials of Spaces
  • Queer Mythologies
  • Surface
  • European Identity in Cinema
  • Genre Matters
  • Engineering Nature
  • Histories of Art and Design Education
  • New Brutality Film
  • Audiences and Publics
  • Critical Studies in Art and Design Education
  • British TV and Film Culture in the 1950s
  • Global Technological Change
  • The Spectacle of the Real
  • Ancient Laws and Modern Problems
  • Hollywood Utopia
  • Digital Art History
  • Visualizing Anthropology
  • Street Scenes
  • Drawing -- The Process
  • Designing Authenticity into Language Learning Materials
  • Theatre in Prison
  • The Wye Plays
  • The Face on the Screen
  • NanoCulture
  • The Last Empire
  • RTE and the Globalisation of Irish Television
  • Architectures of Illusion
  • Brecht in L.A.
  • Negotiating Spain and Catalonia
  • Cultures and Settlements. Advances in Art and Urban Futures, Volume 3
  • The Posthuman Condition
  • European Cultures in Sport
  • Languages of Theatre Shaped by Women
  • Media, Monarchy and Power
  • The Art and Science of Documentation Management
  • Computers and Art
  • Advertising and Identity in Europe
  • Crash Cultures
  • African Theatre for Development
  • Performing Processes
  • Popular Theatre in Political Culture
  • Henry IV of France and the Politics of Religion 1572 - 1596, Volume 1 & 2
  • Locality, Regeneration & Divers[c]ities
  • Contemporary Irish Drama and Cultural Identity
  • Aristotle in Hollywood
  • Politics of Contemporary European Cinema
  • Development Through Technology Transfer
  • Iconic Communication
  • Art, Technology, Consciousness
  • Computers and Typography 2
  • The Net Effect
  • Creativity in the Classroom
  • Advertising as Culture
  • Refugee Performance
  • Selling War
  • Directors
  • The Art of Nick Cave
  • Artist, Researcher, Teacher
  • The Audience Experience
  • Why I Buy
  • Peter Weir
  • Signs of Change
  • Configuring America
  • Sonic Multiplicities
  • Television Courtroom Broadcasting
  • From NWICO to WSIS: 30 Years of Communication Geopolitics
  • World Film Locations: Glasgow
  • World Film Locations: Helsinki
  • The Social Use of Media
  • Directory of World Cinema: France
  • Kinesthetic Empathy in Creative and Cultural Practices
  • Beyond the Dance Floor
  • Teaching Actors
  • Polanski and Perception
  • Un-American Psycho
  • Iranian Cinema and Globalization
  • Photography and Landscape
  • Habitus of the Hood
  • Italian TV Drama and Beyond
  • Trends in Communication Policy Research
  • Flesh Into Light
  • Feminist Ethics in Film
  • Holistic Shakespeare
  • World Film Locations: Berlin
  • World Film Locations: Mumbai
  • World Film Locations: Melbourne
  • World Film Locations: Reykjavík
  • Memory Fragments
  • Brit Wits
  • Virtuality and the Art of Exhibition
  • Engendering Interaction with Images
  • Directory of World Cinema: Finland
  • Far Field
  • People's Pornography
  • Narrating the Catastrophe
  • Directory of World Cinema: Britain
  • China's Environment and China's Environment Journalists
  • Artist Scholar
  • Neosentience
  • Reaching Audiences
  • Radio Content in the Digital Age
  • Amateur Images and Global News
  • Directory of World Cinema: Japan 2
  • Directory of World Cinema: China
  • Directory of World Cinema: Iran
  • World Film Locations: Istanbul
  • World Film Locations: Madrid
  • World Film Locations: Dublin
  • World Film Locations: Paris
  • World Film Locations: Las Vegas
  • World Film Locations: New Orleans
  • Marion Richardson
  • Touring the Screen
  • Directory of World Cinema: Germany
  • Morrissey
  • Urban Cinematics
  • Directory of World Cinema: Spain
  • Spectacular Death
  • Context Providers
  • Forget-Me-Not, Iran
  • Directory of World Cinema: Italy
  • World Film Locations: Los Angeles
  • World Film Locations: London
  • World Film Locations: Tokyo
  • World Film Locations: New York
  • 'I am an American'
  • Girls! Girls! Girls! in Contemporary Art
  • Transnational Celebrity Activism in Global Politics
  • New Zealand Cinema
  • Directory of World Cinema: American Hollywood
  • Directory of World Cinema: East Europe
  • People and Places of Nature and Culture
  • Picturing Immigration
  • Philosophical Approaches to Communication
  • Stephen King on the Small Screen
  • A Divided World
  • The Exile of Britney Spears
  • Studies in French Cinema
  • Robert Frank's 'The Americans'
  • Europe in Black and White
  • Franklin Furnace and the Spirit of the Avant-Garde
  • Trends in Functional Programming Volume 10
  • Gendered Transformations
  • Moving the Eye through 2-D Design
  • Recording Memories from Political Violence
  • French Costume Drama of the 1950s
  • Berliner Chic
  • Reinventing Public Service Television for the Digital Future
  • Drawing
  • Searching for Art's New Publics
  • The Propaganda of Peace
  • The Divine Springtime
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