Books
  • The Repeating Body
  • The Audible Past
  • Rendering Life Molecular
  • Unconscious Dominions
  • Empires, Nations, and Natives
  • Cracked Coverage
  • Blacks and Blackness in Central America
  • Degrees of Mixture, Degrees of Freedom
  • English Lessons
  • Black Feminism Reimagined
  • A Nervous State
  • The Female Complaint
  • Toussaint Louverture
  • Mobilizing India
  • Turning South Again
  • How Art Can Be Thought
  • Meeting the Universe Halfway
  • The Nation Writ Small
  • Photographies East
  • Making Men
  • Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements
  • Nothing Happens
  • Feminism without Borders
  • Complicities
  • Queering the Public Sphere in Mexico and Brazil
  • Crash
  • Ontological Terror
  • Mobile Subjects
  • Listen but Don't Ask Question
  • The Discovery and Conquest of Peru
  • Hawaiian Blood
  • Feminist Surveillance Studies
  • Global Cinderellas
  • Impossible Desires
  • W Stands for Women
  • Photography after Photography
  • Citizenship in Question
  • Unruly Immigrants
  • Vibrant Matter
  • Virtual Voyages
  • Searching for a Different Future
  • Pleasure Consuming Medicine
  • Transatlantic Fascism
  • Smoldering Ashes
  • Virtuous Vice
  • Allegories of the Anthropocene
  • How to Be an Intellectual in the Age of TV
  • Making the World Global
  • Credit, Fashion, Sex
  • Two Dreams in One Bed
  • International Environmental Policy
  • Global/Local
  • Other Planes of There
  • The Expectation of Justice
  • The New Pluralism
  • Intimate Activism
  • The Make-Believe Space
  • Cultural Studies 1983
  • Gender and Slave Emancipation in the Atlantic World
  • Home and Harem
  • Anthropology in the Meantime
  • Pleasures Taken
  • Porn Studies
  • The Security Archipelago
  • Transcending Blackness
  • Asians Wear Clothes on the Internet
  • Chinese Medicine in Contemporary China
  • Beyond Settler Time
  • Shaky Colonialism
  • Black and Green
  • Asian Video Cultures
  • Chicana Art
  • Mondo Nano
  • Tween Pop
  • Still Life in Real Time
  • Fables of Power
  • On Decoloniality
  • Media Theory in Japan
  • See It Feelingly
  • Climate Machines, Fascist Drives, and Truth
  • A Coincidence of Desires
  • Rereading Cultural Anthropology
  • Attachments to War
  • Colonial Habits
  • Not Hollywood
  • The Grooves of Change
  • Unruly Visions
  • The Community Economic Development Movement
  • Queer Cinema in the World
  • Dark Matters
  • Meaning in Motion
  • Never Say I
  • Tony Allen
  • Biblical Porn
  • Black and Blur
  • Hip Hop Desis
  • Man or Monster?
  • Religions/Globalizations
  • Waves of Knowing
  • The Modernist Impulse in American Protestantism
  • Jazz Among the Discourses
  • Orgasmology
  • Public Affairs
  • Immanuel Wallerstein and the Problem of the World
  • Fat Art, Thin Art
  • A City on a Lake
  • Atmospheric Things
  • The Ocean Reader
  • Dying in Full Detail
  • Signal and Noise
  • Architecture at the End of the Earth
  • Blood Work
  • High Stakes
  • Black Nationalism in the New World
  • Good Faith and Truthful Ignorance
  • The American 1890s
  • Projections of Power
  • Global Indios
  • Financial Derivatives and the Globalization of Risk
  • Chinese Modern
  • Media Heterotopias
  • We Are All Equal
  • The Apartment Plot
  • Time Travels
  • An Eye for the Tropics
  • Life between Two Deaths, 1989-2001
  • Dictablanda
  • History from the Bottom Up and the Inside Out
  • Politics, Ideology, and Literary Discourse in Modern China
  • Soul Power
  • Black Athena Writes Back
  • The Gendered Worlds of Latin American Women Workers
  • A Century of Revolution
  • Forensic Media
  • Tropicopolitans
  • How Would You Like to Pay?
  • The Repeating Island
  • Postmodernism, or, The Cultural Logic of Late Capitalism
  • Slaves to Fashion
  • River of Hope
  • Chinese Circulations
  • Progressive Dystopia
  • Cold War Anthropology
  • Punk and Revolution
  • Africa in the Indian Imagination
  • Indigenous Media in Mexico
  • The Gift of Freedom
  • Where the River Ends
  • Migrants and City-Making
  • Reality Gendervision
  • The Rule of Rules
  • Economies of Violence
  • The Atlantic Slave Trade
  • Isonomia and the Origins of Philosophy
  • History, the Human, and the World Between
  • Text and the City
  • Capitalism, God, and a Good Cigar
  • Wedded to the Land?
  • Diploma of Whiteness
  • The Wedding Complex
  • Of Gardens and Graves
  • Critique and Postcritique
  • Archives of Empire
  • Freedom with Violence
  • Workshop of Revolution
  • Postcolonial Grief
  • Spirit on the Move
  • The Politics of Survival
  • Displacing Whiteness
  • No Future
  • A World of Many Worlds
  • Blood Narrative
  • Screening Culture, Viewing Politics
  • The Afterlife of Images
  • Stains on My Name, War in My Veins
  • Millennial Capitalism and the Culture of Neoliberalism
  • Quantum Anthropologies
  • The Last Beach
  • Life in the Age of Drone Warfare
  • Chinese Visions of World Order
  • The Creative Underclass
  • The Selling Sound
  • Becoming Undone
  • Surrealism at Play
  • A Body Worth Defending
  • State Formation and Democracy in Latin America, 1810-1900
  • How Economics Became a Mathematical Science
  • Imagining la Chica Moderna
  • Between You and Me
  • Higher Ground
  • Everyday Conversions
  • Terrorist Assemblages
  • The Biopolitics of Feeling
  • One and Five Ideas
  • Becoming Imperial Citizens
  • Reimagining Political Ecology
  • Picturing Imperial Power
  • The Cultural Turn in Late Ancient Studies
  • The Bangladesh Reader
  • Roll With It
  • Women on the Verge
  • Poor Queer Studies
  • Wet
  • Changing Men and Masculinities in Latin America
  • Hall of Mirrors
  • Trumpets in the Mountains
  • Sciences from Below
  • Selenidad
  • Tell Me Why My Children Died
  • Threatening Anthropology
  • Politics without a Past
  • Conscripts of Modernity
  • Real Folks
  • The Dukes of Durham, 1865-1929
  • The Launching of Duke University, 1924–1949
  • Reading Sedgwick
  • Normal Life
  • Race and the Subject of Masculinities
  • Shards of Love
  • Everyday Utopias
  • Disordering the Establishment
  • Activist Archives
  • The Concept in Crisis
  • Organizing Empire
  • My Life with Things
  • The Queen of America Goes to Washington City
  • Translocalities/Translocalidades
  • The Korean Popular Culture Reader
  • Searching for Home Abroad
  • Freedom's Empire
  • Cherry Grove, Fire Island
  • Women's Experimental Cinema
  • Out Takes
  • Imitations of Life
  • The Fragility of Things
  • Close Encounters of Empire
  • Globalization and Race
  • Energopolitics
  • Hooded Americanism
  • Little Manila Is in the Heart
  • Muslim Becoming
  • The Making of Our Bodies, Ourselves
  • The Misinterpellated Subject
  • The Red Riviera
  • The Cinema of Economic Miracles
  • The Academic's Handbook
  • Her Stories
  • Skin Shows
  • Tourist Distractions
  • Vertical Empire
  • Black into White
  • Emperors in the Jungle
  • The Culture of Japanese Fascism
  • Writing Without Words
  • Lines of Thought
  • The Hermetic Deleuze
  • In Sierra Leone
  • The Constitutional Jurisprudence of the Federal Republic of Germany
  • ¿Entiendes?
  • The Camera as Historian
  • Paris in the Dark
  • The Money Doctor in the Andes
  • Burn This House
  • From Walden Pond to Jurassic Park
  • Debating Moral Education
  • Imagining Transgender
  • Absolute Erotic, Absolute Grotesque
  • The Seventies Now
  • Ready-to-Wear and Ready-to-Work
  • The Enemy
  • Specters of the Atlantic
  • Securing Paradise
  • Postmodernism and China
  • A Discontented Diaspora
  • New Approaches to Resistance in Brazil and Mexico
  • Dead Subjects
  • Global Indigenous Media
  • Virtual Memory
  • Lessons of Romanticism
  • Gods in the Bazaar
  • Manufacturing Modern Japanese Literature
  • Made in China
  • The Alaska Native Reader
  • Revolutionary News
  • Banana Wars
  • Pluralism
  • The Black Body in Ecstasy
  • The Sexual Life of English
  • The Blood of Guatemala
  • Unsustainable Empire
  • Ecologies of Comparison
  • Detours
  • Reimagining the American Pacific
  • The Marcus Garvey and Universal Negro Improvement Association Papers, Volume XI
  • Legal Fictions
  • Conflicted Antiquities
  • Cold War Ruins
  • States of Memory
  • Abject Performances
  • Greenwich Village 1963
  • Religion and Poverty
  • The Cuba Reader
  • Colored Amazons
  • Stuart Hall's Voice
  • William James
  • Biocapital
  • A View from the Bottom
  • The Oriental Obscene
  • Infrahumanisms
  • Sentimental Materialism
  • The FBI in Latin America
  • The Last "Darky"
  • The Theater of Operations
  • Laws of Chance
  • Disturbing Attachments
  • Ethnography #9
  • The Chile Reader
  • Joyce's Book of Memory
  • Popular Sovereignty and the Crisis of German Constitutional Law
  • Speculative Markets
  • Red, White & Black
  • Urban Horror
  • Sea Level Rise
  • Women, War, and the Making of Bangladesh
  • House/Garden/Nation
  • The Disappearing Mestizo
  • Breaking Bad and Cinematic Television
  • Plastic Bodies
  • Now Peru Is Mine
  • Necro Citizenship
  • Imposing Harmony
  • Tourists of History
  • Fabricating Transnational Capitalism
  • Dietrich Icon
  • Indigenous Migration and Social Change
  • Beyond the Color Line and the Iron Curtain
  • Terrorizing Women
  • Gendering the Recession
  • Tropes, Parables, and Performatives
  • Borderland on the Isthmus
  • National History and the World of Nations
  • How Climate Change Comes to Matter
  • Culture, Power, Place
  • After Ethnos
  • Disintegrating the Musical
  • Laszlo Moholy-Nagy
  • Representing Jazz
  • Transnational Sport
  • Cultures without Culturalism
  • The War on Sex
  • Precarious Japan
  • Screening Sex
  • Haydée Santamaría, Cuban Revolutionary
  • New Organs Within Us
  • Lines of Flight
  • People of Faith
  • Global Shadows
  • Shoveling Smoke
  • Cultural Marxism in Postwar Britain
  • Imperialism and the Corruption of Democracies
  • Chick Flicks
  • Naked Agency
  • Theology and the Political
  • Transpacific Femininities
  • Communities of Sense
  • Epigenetic Landscapes
  • Gods of the Blood
  • Constituent Moments
  • The Rise of the American Conservation Movement
  • In an Abusive State
  • Apprehending the Criminal
  • Utopia Limited
  • Remaking New Orleans
  • Black Queer Studies
  • Grateful Nation
  • Trans-Americanity
  • Diaspora and Trust
  • Governing Indigenous Territories
  • Contested Communities
  • Like Cattle and Horses
  • Modern Social Imaginaries
  • National Abjection
  • The Irish in Us
  • Refrains for Moving Bodies
  • A Date Which Will Live
  • Uneven Encounters
  • The Criminals of Lima and Their Worlds
  • Tropical Riffs
  • Unfixed
  • M Archive
  • Reconstructing Dixie
  • Living for the Revolution
  • The Weather in Proust
  • The Cultural Origins of the French Revolution
  • Stitches on Time
  • Capitalism and Christianity, American Style
  • Looking for Mexico
  • Book Reports
  • Recording Culture
  • Abjection Incorporated
  • The Treatment
  • Screen Traffic
  • Things Fall Away
  • Caribbean Journeys
  • Re/presenting Class
  • Formations of United States Colonialism
  • Listening in Detail
  • Fear of Small Numbers
  • Talking to the Dead
  • Missing
  • The Labor of Job
  • Making Girls into Women
  • Sessue Hayakawa
  • Everything You Always Wanted to Know about Literature but Were Afraid to Ask Žižek
  • Give a Man a Fish
  • Finding the Movement
  • Modern Inquisitions
  • Skin for Skin
  • E.T. Culture
  • Swift Viewing
  • Criminal Man
  • The Gloria Anzaldúa Reader
  • From Revolutionaries to Citizens
  • The Politics of Possibility
  • Museum Skepticism
  • Adrian Piper
  • Sustaining Activism
  • The Life of Captain Cipriani
  • Metrics
  • The Noé Jitrik Reader
  • Modern Blackness
  • Eating the Ocean
  • Racial Revolutions
  • The Race of Sound
  • Masculine/Feminine
  • Transforming the Frontier
  • Poor People's Politics
  • National Manhood
  • Negro Soy Yo
  • At the Edge of Sight
  • Life and Death on the New York Dance Floor, 1980–1983
  • The Mangle in Practice
  • Writing Culture and the Life of Anthropology
  • Return
  • Porn Archives
  • The Argumentative Turn in Policy Analysis and Planning
  • Emergence and Embodiment
  • Outlawed
  • The Brink of Freedom
  • Gilles Deleuze's Time Machine
  • Making Freedom
  • Indigenous Struggle at the Heart of Brazil
  • The Spectacular State
  • Rancière's Sentiments
  • Performance
  • The Fruit Machine
  • Beautiful Data
  • Anthropos and the Material
  • Reading Boyishly
  • Pipe Politics, Contested Waters
  • Counterproductive
  • Creating Ourselves
  • Making Light
  • Exporting Revolution
  • Working Like a Homosexual
  • The Habit of Lying
  • Television after TV
  • Forgotten Readers
  • World-Systems Analysis
  • Psychosomatic
  • The Frank C. Brown Collection of NC Folklore: Vol. VII
  • Depression
  • Days on Earth
  • Professing Selves
  • The Enduring Legacy
  • America's Miracle Man in Vietnam
  • The Fetish Revisited
  • Singing the Classical, Voicing the Modern
  • Miniature Messages
  • Bold! Daring! Shocking! True!
  • Constructing the Black Masculine
  • Counter-History of the Present
  • The Politics of Taste
  • In the Name of Women's Rights
  • Visualizing Fascism
  • Immediations
  • Beside You in Time
  • Violence Work
  • Public Properties
  • Down in the Dumps
  • The Apartment Complex
  • Retuning Culture
  • The Republic Unsettled
  • Politics, Metaphysics, and Death
  • Black Atlas
  • Vinyl Freak
  • The Political Sublime
  • Useful Cinema
  • Framed
  • Soul Covers
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