Books
  • Able Minds and Practiced Hands
  • A Song for Europe
  • After Sibelius: Studies in Finnish Music
  • Politics and War in Lebanon
  • A Soviet Credo: Shostakovich's Fourth Symphony
  • Agamben and Law
  • Aquinas and Modern Law
  • American Exceptionalism Vol 1
  • American Exceptionalism Vol 4
  • Alienation and Theatricality
  • An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays
  • Anglo-Saxon Graves and Grave Goods of the 6th and 7th Centuries AD
  • Art and Music in the Early Modern Period
  • American Exceptionalism Vol 2
  • Architecture, Travellers and Writers
  • Ars antiqua
  • Berio's Sequenzas
  • Anglo-American Life Insurance, 1800-1914 Volume 1
  • Artifice and Invention in the Spanish Golden Age
  • Bach
  • Aristotle's Ethics and Legal Rhetoric
  • Aspects of the Secular Cantata in Late Baroque Italy
  • Ars nova
  • Berlioz and Debussy: Sources, Contexts and Legacies
  • Baudelaire and Photography
  • Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem
  • Augustine and Modern Law
  • Beethoven
  • Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750
  • Aspects of British Music of the 1990s
  • Bach Performance Practice, 1945-1975
  • Baroque Woodwind Instruments
  • Baroque Music
  • Beyond Jerusalem: Music in the Women's Institute, 1919-1969
  • Bills of Rights
  • Bodies of Evidence
  • Bhangra Moves
  • Bruce Montgomery/Edmund Crispin: A Life in Music and Books
  • Biosocial Theories of Crime
  • 'Blerwytirhwng?' The Place of Welsh Pop Music
  • Brazilian Popular Music
  • Bolognese Instrumental Music, 1660-1710
  • Caravaggio in Film and Literature
  • Blackface Minstrelsy in Britain
  • Caste in Contemporary India
  • Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich
  • C.P.E. Bach
  • Composition, Chromaticism and the Developmental Process
  • Cavalier Giovanni Battista Buonamente
  • Charles Hallé: A Musical Life
  • Composition, Performance, Reception
  • Classical and Romantic Music
  • Charles-Louis de Secondat, Baron de Montesquieu
  • Charles Villiers Stanford
  • Cinema and Contact
  • Choral Conducting and the Construction of Meaning
  • Chicago of the Balkans
  • Computer Crime
  • Circumcision, Public Health, Genital Autonomy and Cultural Rights
  • Children's Rights
  • Cicero and Modern Law
  • Concert Life in Eighteenth-Century Britain
  • Constitutionalism and Democracy
  • Copyright Law
  • Correctional Ethics
  • Copyright Law
  • Crime and Deviance in Cyberspace
  • Crime and Security
  • Crime Opportunity Theories
  • Cultural Criminology
  • Conflicting Objectives in Democracy Promotion
  • Democracy and Human Rights in Multicultural Societies
  • Cultural Studies in India
  • Defective Inspectors: Crime-fiction Pastiche in Late Twentieth-century French Literature
  • Critical Essays in Music Education
  • Cretomania
  • Dada as Text, Thought and Theory
  • Demetrius Cantemir: The Collection of Notations
  • Crime, Criminal Justice and Masculinities
  • Crime, Law and Society
  • Dark Side of the Tune: Popular Music and Violence
  • Desire, Drink and Death in English Folk and Vernacular Song, 1600-1900
  • Decision Making in Aviation
  • Democratic Deliberation in the Modern World
  • Derrida and Law
  • Déodat de Séverac
  • Developmental and Life-course Criminological Theories
  • Derrick Puffett on Music
  • Dante's Plurilingualism
  • Dostoevsky and the Epileptic Mode of Being
  • Decolonizing Modernism
  • Disability and Equality Law
  • Dreams of Lovers and Lies of Poets
  • Electronica, Dance and Club Music
  • Devotional Music in the Iberian World, 1450-1800
  • Disrupted Narratives
  • E.T.A. Hoffmann's Musical Aesthetics
  • Driver Behaviour and Training: Volume 2
  • Engineering Psychology and Cognitive Ergonomics
  • Edvard Grieg
  • Eighteenth-Century Coffee-House Culture, vol 3
  • Elgar Studies
  • Early Modern Trading Networks in Europe
  • Eighteenth-Century Russian Music
  • Ecotoxicity of Chemicals to Photobacterium Phosphoreum
  • Eighteenth-Century Coffee-House Culture, vol 1
  • Emotional Well-Being in Educational Policy and Practice
  • Editing Music in Early Modern Germany
  • Enlightenment Cosmopolitanism
  • Echo's Voice
  • Eighteenth-Century Coffee-House Culture, vol 2
  • Engineering Psychology and Cognitive Ergonomics
  • Engineering Psychology and Cognitive Ergonomics
  • Frameworks of the European Union's Policy Process
  • Environmental Rights
  • Embodied Knowledge in Ensemble Performance
  • Equality and Non-Discrimination under International Law
  • Exotic Subversions in Nineteenth-century French Fiction
  • Fado and the Place of Longing
  • Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School
  • Female Voices from an Ewe Dance-drumming Community in Ghana
  • Essays on Opera, 1750-1800
  • Ethics, Law and Society
  • Exile and Nomadism in French and Hispanic Women's Writing
  • French Music Since Berlioz
  • Expert Evidence and Scientific Proof in Criminal Trials
  • Foucault and Law
  • Europe, Empire, and Spectacle in Nineteenth-Century British Music
  • Feminist Theories of Crime
  • Furtwängler on Music
  • Gadamer and Law
  • Global Repertoires
  • Gender and Masculinities
  • Gender, Culture, and Performance
  • From Florence to the Heavenly City
  • Goethe and Zelter: Musical Dialogues
  • Functional Future for Bibliographic Control
  • From Soul to Hip Hop
  • Gender and Justice
  • Hans Christian Andersen and Music
  • Good Son is Sad If He Hears the Name of His Father
  • Grotius and Law
  • Global Political Justice
  • Goethe's Visual World
  • Heinrich Wilhelm Ernst: Virtuoso Violinist
  • Identity, Inequity and Inequality in India and China
  • Genesis and The Lamb Lies Down on Broadway
  • Guilhermina Suggia: Cellist
  • Haydn
  • Image, Eye and Art in Calvino
  • Hollywood Theory, Non-Hollywood Practice
  • Green Criminology
  • Henri Dutilleux: Music - Mystery and Memory
  • Henri Dutilleux
  • Heritage and the Olympics
  • Handel
  • Holocaust Intersections
  • Historical Sociology in India
  • Identity and Locality in Early European Music, 1028-1740
  • Human Error in Aviation
  • Instruments and their Music in the Middle Ages
  • Integral Transforms of Generalized Functions and Their Applications
  • International Crimes
  • International Legal Personality
  • Imagining Jewish Art
  • Inside British Jazz
  • International Insolvency Law
  • Ismail Kadare
  • International Refugee Law
  • International Dispute Settlement
  • Intellectual Property Law and History
  • Irony, Satire, Parody and the Grotesque in the Music of Shostakovich
  • International Law and Islamic Law
  • Jews, Race and Popular Music
  • Isolde Ahlgrimm, Vienna and the Early Music Revival
  • Karol Szymanowski
  • J.C. Bach
  • Law and Morality
  • Kaija Saariaho: Visions, Narratives, Dialogues
  • Law and Social Movements
  • John Birchensha: Writings on Music
  • Language and Social Structure in Urban France
  • Law and Society in East Asia
  • John Wallis: Writings on Music
  • Jean Bodin
  • Jean 'Django' Reinhardt
  • Kant and Law
  • Jean Cras, Polymath of Music and Letters
  • Laughter and Narrative in the Later Middle Ages
  • Juvenile Justice in Britain and the United States
  • Low Cost Carriers
  • Light Music in Britain since 1870: A Survey
  • Legal Reasoning, Legal Theory and Rights
  • Living Law
  • Law of the Sea
  • Legal Theory and the Legal Academy
  • Machado De Assis's Philosopher or Dog?
  • Likenesses
  • Mallarmé Wagner: Music and Poetic Language
  • Michael William Balfe
  • Legal Theory and the Social Sciences
  • Ligeti's Laments: Nostalgia, Exoticism, and the Absolute
  • Luca Marenzio
  • Mendelssohn
  • Messiaen's Final Works
  • Madonna's Drowned Worlds
  • Lisbon Revisited
  • Mapping Jordan Through Two Millennia
  • Louisa Waterford and John Ruskin
  • Marital Rights
  • Meaning and Measurement in Comparative Housing Research
  • Masculinity and Western Musical Practice
  • Methods for Analyzing Social Media
  • Mendelssohn and Victorian England
  • Max Reger and Karl Straube
  • MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164-167
  • Morality Policies in Europe
  • Messiaen the Theologian
  • Media Freedom and Contempt of Court
  • Mobilities and Forced Migration
  • Music in Welsh Culture Before 1650
  • Music after Hitler, 1945–1955
  • Mozart's Piano Concertos
  • Monteverdi
  • Michael Jackson
  • Music and the Renaissance
  • Music and Gesture
  • Music in Medieval Europe
  • Music in the British Provinces, 1690–1914
  • Music and Ideology
  • Music and the Middle Class
  • Music and Musicians on the London Stage, 1695-1705
  • Music and Medieval Manuscripts
  • Music as Medicine
  • Music Education as Critical Theory and Practice
  • Music in Eighteenth-Century Britain
  • Music in the Words: Musical Form and Counterpoint in the Twentieth-Century Novel
  • Music in Seventeenth-Century Naples
  • Musical Healing in Cultural Contexts
  • Musicological Identities
  • Music Semiotics: A Network of Significations
  • Music, Structure, Thought: Selected Essays
  • Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)
  • Nicholas Lanier
  • Music Writing Literature, from Sand via Debussy to Derrida
  • Music-in-Action
  • Narrative Responses to the Trauma of the French Revolution
  • Musical Style and Social Meaning
  • Music, Experiment and Mathematics in England, 1653–1705
  • New Perspectives on Marc-Antoine Charpentier
  • Musical Theory in the Renaissance
  • Music, Performance, Meaning
  • Music Theory, Analysis, and Society
  • New Music and the Claims of Modernity
  • Music-Making in North-East England during the Eighteenth Century
  • Nussbaum and Law
  • Non-Traditional Security Challenges in Asia
  • Non-Western Popular Music
  • No Touching, No Spitting, No Praying
  • Olivier Messiaen: Music, Art and Literature
  • Opera Remade, 1700?1750
  • Nineteenth-Century Music
  • Olivier Messiaen's System of Signs
  • Opera after 1900
  • Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts
  • Performing Nostalgia: Migration Culture and Creativity in South Albania
  • Performing Baroque Music
  • Party and Professionals
  • Oscar Wilde and the Simulacrum
  • Operatic Migrations
  • Perspectives on Anton Bruckner
  • Opera From the Greek
  • Performance and Popular Music
  • Parliamentary Representation in France
  • Performing Identities
  • Pessoa's Geometry of the Abyss
  • Perspectives on Peter Maxwell Davies
  • Precinct, Temple and Altar in Roman Spain
  • Political Economy of Statebuilding
  • Popular Music in France from Chanson to Techno
  • Playing on Words
  • Phrase and Subject
  • Postcolonial Criticism and Representations of African Dictatorship
  • Popular Culture and Law
  • Prisoners' Rights
  • Prometheus in Music
  • Policing, Popular Culture and Political Economy
  • Pop Music and Easy Listening
  • Proust Writing Photography
  • Portuguese Modernisms
  • Postmodernist and Post-Structuralist Theories of Crime
  • Quantitative Methods in Criminology
  • Renaissance Music
  • Samuel Butler against the Professionals
  • Rethinking the Concept of the Grotesque
  • Prokofiev's Ballets for Diaghilev
  • Public Administration as a Developing Discipline
  • Rachmaninoff: Composer, Pianist, Conductor
  • Repetition in Music
  • Representations of the Orient in Western Music
  • Samuel Wesley (1766-1837): A Source Book
  • Saturn's Moons
  • Rome Eternal
  • Religion and Mobility in a Globalising Asia
  • Remembering Aldo Moro
  • Recent Developments in Criminological Theory
  • Renaissance Keywords
  • Richardson and the Philosophes
  • Secular Renaissance Music
  • Silence, Music, Silent Music
  • Schubert's Goethe Settings
  • Schubert the Progressive
  • Sex in Imagined Spaces
  • She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music
  • Situational Awareness
  • Soft Power Politics - Football and Baseball on the Western Pacific Rim
  • Social, Ecological and Environmental Theories of Crime
  • Sources of International Law
  • Sonic Synergies: Music, Technology, Community, Identity
  • Studies in Gangs and Cartels
  • Stone Vessels in the Levant
  • Sublime Worlds
  • Studies in Seventeenth-Century Opera
  • Speaking Out and Silencing
  • Sorabji: A Critical Celebration
  • Studies in the Platonism of Marsilio Ficino and Giovanni Pico
  • Studies in the Music of Tomás Luis de Victoria
  • Synopsis of Vocal Musick by A.B. Philo-Mus.
  • Testing Tribocorrosion of Passivating Materials Supporting Research and Industrial Innovation
  • Systems Analysis and Design: Techniques, Methodologies, Approaches, and Architecture
  • Taboo
  • The British Pop Dandy
  • The Artist-Operas of Pfitzner, Krenek and Hindemith
  • The Bassanos
  • The Carole: A Study of a Medieval Dance
  • The Ballets of Maurice Ravel
  • Thai Classical Singing
  • Taking Popular Music Seriously
  • The Atomic Bomb Suppressed
  • The Art of Ana Clavel
  • The Development of International Human Rights Law
  • The Chamber Organ in Britain, 1600-1830
  • The Globalization of International Law
  • The Gendered Score: Music in 1940s Melodrama and the Woman's Film
  • The Government and Administration of Africa, 1880-1939 Vol 2
  • The Globalization of Merchant Banking before 1850
  • The Early Tudor Court and International Musical Relations
  • The Fear of Crime
  • The Development and Principles of International Humanitarian Law
  • The Government and Administration of Africa, 1880-1939 Vol 4
  • The English Bach Awakening
  • The Criminology of War
  • The Figure of Music in Nineteenth-Century British Poetry
  • The Government and Administration of Africa, 1880-1939 Vol 1
  • The Gei of Geisha: Music, Identity and Meaning
  • The House of Novello
  • The Latin American Short Story at its Limits
  • The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850
  • The Life and Works of Andrzej Panufnik (1914–1991)
  • The Irishness of Irish Music
  • The Government and Administration of Africa, 1880-1939 Vol 5
  • The Just War Tradition: Applying Old Ethics to New Problems
  • The Law of Treaties
  • The Jews-Harp in Britain and Ireland
  • The Military Orders Volume II
  • The Methodology of Legal Theory
  • The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance
  • The Memetics of Music
  • The Music of Michael Nyman
  • The Military Orders Volume I
  • The Military Orders Volume III
  • The Millennium Development Goals: Challenges, Prospects and Opportunities
  • The New Police in the Nineteenth Century
  • The Modernist Legacy: Essays on New Music
  • The Music of Peggy Glanville-Hicks
  • The Military Orders Volume V
  • The Music of Mauricio Kagel
  • The Politics of Musical Identity
  • The Music Practitioner
  • The Passion for Music: A Sociology of Mediation
  • The Rome Statute of the International Criminal Court
  • The Performance of Italian Basso Continuo
  • The State–Capital Nexus in the Global Crisis
  • The Rights of Strangers
  • The Rule of Law and the Separation of Powers
  • The Somali Within
  • The Reinvention of Theatre in Sixteenth-century Europe
  • The Stylus Phantasticus and Free Keyboard Music of the North German Baroque
  • The Singing Bourgeois
  • The Rock Canon
  • The Sounds and Sights of Performance in Early Music
  • The Strange M. Proust
  • Thresholds: Rethinking Spirituality Through Music
  • The Right to a Fair Trial
  • The Very Late Goethe
  • Thomas Tomkins: The Last Elizabethan
  • The Termination of Criminal Careers
  • The Unknown Schubert
  • Timba: The Sound of the Cuban Crisis
  • There's a Place For Us: The Musical Theatre Works of Leonard Bernstein
  • 'To fill, forbear, or adorne'
  • The Use of Force in International Law
  • The Woman Composer
  • The Syllables of Time
  • Thomas Salmon: Writings on Music
  • Transformative Change in Western Thought
  • Translating the Perception of Text
  • Touraj Kiaras and Persian Classical Music: An Analytical Perspective
  • Transnational Environmental Crime
  • Translating Sholem Aleichem
  • Tradition and Style in the Works of Darius Milhaud 1912-1939
  • Unbinding Medea
  • Transnational Financial Crime
  • Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring
  • Transnational Crime and Policing
  • Vivaldi's Music for Flute and Recorder
  • Unamuno's Theory of the Novel
  • Transnational Organized Crime
  • Western Plainchant in the First Millennium
  • Visible Numbers
  • Vilfredo Pareto
  • Unemployment and Inflation
  • Understanding Music
  • Zola, The Body Modern
  • Advancing Genocide Studies
  • Vaughan Williams Essays
  • Abortion, Religious Freedom, and Catholic Politics
  • Evolution Versus Revolution
  • Viotti and the Chinnerys
  • William Byrd
  • Kennan and the Cold War
  • Domination and Subjugation in Everyday Life
  • Marginality and Modernity
  • Freud's Russia
  • Love
  • Long Walk to Nowhere
  • Individualism and Moral Character
  • Kierkegaard and the Rise of Modern Psychology
  • From Manual Workers to Wage Laborers
  • Clerical Marriage and the English Reformation
  • Intelligence, Sustainability, and Strategic Issues in Management
  • Social Robots
  • Let My People Go
  • Computational Hydraulics
  • Globalisation, Education and Culture Shock
  • New Environmental Policy Instruments in the European Union
  • Grétry's Operas and the French Public
  • The Neville Chamberlain Diary Letters
  • Greek Rebetiko from a Psychocultural Perspective
  • Elizabeth Cellier
  • Airline Competition: Deregulation's Mixed Legacy
  • A Natural Theology of the Arts
  • The Wisdom of Strategic Learning
  • Family Violence and Police Response
  • Centuries of Child Labour
  • Court Festivals of the European Renaissance
  • Environment and Resettlement Politics in China
  • A Region in Transition
  • Marco Polo's Book
  • Predicting Religion
  • The Curse of Ham in the Early Modern Era
  • Ordinary Theology
  • Project Management for Successful Product Innovation
  • The Medici Women
  • Planning and Organizing Personal and Professional Development
  • The Racialisation of Disorder in Twentieth Century Britain
  • Women, Reading, and the Cultural Politics of Early Modern England
  • Self-Identity and Personal Autonomy
  • The School of Alexius Meinong
  • Equity Choices and Long-Term Care Policies in Europe
  • The Productive Efficiency of Container Terminals
  • The Market and the City
  • Gender and Insecurity
  • To Make Another World
  • Globalization and Marginality in Geographical Space
  • Routledge Revivals: Medieval Archaeology (2001)
  • Parliamentary Democracy
  • Routledge Revivals: Medieval England (1998)
  • Information Marketing
  • Routledge Revivals: Medieval France (1995)
  • Revival: Legitimacy Deficit in Custom: Towards a Deconstructionist Theory (2001)
  • Social Accounting and Economic Modelling for Developing Countries
  • The EU's Common Commercial Policy
  • The Groundbreakers
  • Routledge Revivals: Medieval Germany (2001)
  • Routledge Revivals: Medieval Iberia (2003)
  • The Criminology of Criminal Law
  • Routledge Revivals: School Design (1994)
  • The Oslo Idea
  • The Triumph and Tragedy of the Intellectuals
  • The Complete Illustrated Book of Development Definitions
  • The Irish and the American Presidency
  • Poor and Homeless in the Sunshine State
  • Scientific Controversies
  • Suicide as a Dramatic Performance
  • Science, Ideology, and the Media
  • Social Intelligence, Leadership, and Problem Solving
  • The Economic Growth Controversy
  • Redemption and Recovery
  • Rousseau and the Dilemmas of Modernity
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